[Dion Johnson]

Thanks for the responses. Much appreciated. The audio file is a WAV file mastered at 44.1 not 48. Is this going to cause problems with a slight speed change? The band are professionals and I think they would notice this if I did. So should I convert the 44.1 wav to 48 in QuickTime first, then import it into the FCP timeline set at 48? Also should I convert my footage from both cameras (one being 24 fps or like you say 23.98) and the one which is 29.97fps, should that be pulled down to 23.97 dropping frames? I’m new to this sort of workflow.
I’ve already converted the native 1080p 24 fps files to ProRes HQ, so should I do this again with a new setting? Sorry for all the questions, but I’ve just spent 2 weeks cutting this full concert and it has sub-frame audio problems with sync everywhere. I want to get it sync perfect for the band, which means at least another week in the edit suite.
What is the best workflow for this?