Dennis Wiener
Forum Replies Created
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Have you tried installing the trial? You can install and use it for 30 days before you need to purchase
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You need to patch the input to the desired track. On the left side of the timeline you’ll see V1, A1, A2. The VI input normally sits next to the V1 track. When you click and drag on it a white arrow will appear and you can move the input to whatever video track you like. If track V1 is selected the edit will take place on V1. If you move the input to V2, the edit will now take place on V2. If you don’t want other tracks effected by the edit you need to deselect those tracks. Do a search on track patching in the help file, they do a better job explaining this than I can.
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Make sure your inputs are linked to the tracks you want your selection to go to
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Different machines use different fluids. The show I currently work on uses LeMaitre fog machines, that can be used for either for or haze, that use a glycol and water based fluid, though different formulations are used for fog or haze. To keep the fog low it is cooled using liquid CO2. It’s safer for the actors as there is no water left on the stage as with the old dry ice fog machines. For haze we use MDG machines which use mineral oil, much like the old Mole Richardson fog machines. The haze is there to accentuate the lighting, especially the moving lights. I remember doing shoots where smoke cookies were used, till it was found out how toxic they were.
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One big gotcha when using variable frame rate is that audio is not recorded when in that mode