-
Haze it
I’ll ask this in both lighting and cinematography, as it applies to both…
So… I went in to the studio this weekend to dig out our rarely-used smoke/fog machine, for some Halloween shenanigans planned at my house tonight… when I finally found the fog machine, it was stored right next to two Chauvet haze machines that I had managed to completely forget that we even owned.
That lead me to question, “Hmmm… why don’t we ever use these anymore?”
Years ago long before I was a wanna-be movie director I was a wanna-be actor. One of the gigs I regularly did was on a NBC show in the early 90s called “I’ll Fly Away.” I didn’t know much about lighting or cinematography way back then, but it was all still fascinating to watch. Anywho, the star of the show was Sam Waterston as a southern district attorney. Anytime we would shoot a scene in Sam’s DA office, the crew would always haze the set like crazy… which gave a very beautiful “thickness” to the air, nicely caught the shafts of “sunlight” coming in through the windows, and just gave the images a very nice look. I think it also helped with the period look of the scenes, which were set in the late 1950s.
I had completely forgotten about that, until I saw the haze machines yesterday. I’ve been on hundreds of shoots since that series, but I don’t think I’ve ever seen anyone haze a set since then.
It just got me wondering, “Does anyone ever do that anymore? Pros? Cons?”
It’s certainly one of those techniques that had completely fallen out of my head, but I was thinking of picking it back up now and then… when appropriate.
Thoughts anyone?
T2
__________________________________
Todd Terry
Creative Director
Fantastic Plastic Entertainment, Inc.
fantasticplastic.com
