Forum Replies Created
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To be honest here, I don’t know of a way to do that in Premiere Pro CC 8.2.
I would do a record with the date timestamp burned in.
Dennis – Adobe guy
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Dennis Radeke
March 22, 2015 at 10:45 am in reply to: Problem with PP CC and AJA IO XT while doing voice-overHi Frederic,
Sounds like you need to set up the audio correctly in the Audio System Preferences of your Mac. The way the Mac OS is, it makes it a bit harder to configure audio in Premiere Pro. This is something we hope to address in the future. In the meantime, you can check out this for audio set up with Premiere Pro and AJA hardware
https://www.youtube.com/watch?v=q-BAYMPwkps
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Sounds like you’re generating peak audio waveforms or conforming the audio. If you came from Avid or FCP, transcoding was/is mandatory. In Premiere Pro, that’s not the case generally. However, we assume that you want to have an visually accurate waveform, so we generate the waveform which takes a few moments depending on the length of the media. If the audio is compressed, we will convert it to uncompressed in order to provide the waveform and good scrubbing.
Also, make sure you’re using the Media Browser to import your footage. If you’re using Cmd/Ctrl+I, take a look at the MB – it will open your eyes to browsing on file-based cameras!
Lastly, if there is a display problem on PC, make sure you’re using NVIDIA drivers and not Windows 7. If on the Mac, make sure you’re on the latest OS and if you have an NVIDIA card on your system, take a look at CUDA for MAC.
Hopefully, some of this helps…
Dennis – Adobe guy
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…and Neil has struck on the particular word that I was thinking about.
Perhaps as a person who must comment in a ‘restrained’ fashion, I am rather persnickety about words and as a very pragmatic person, I loathe hyperbole, even about the products I represent.
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Bill,
I tip my hat to you – I have more posts that I don’t ‘publish’ in response to you than all others. This would be one of them… 😉
Cheers,
Dennis -
Premiere Pro does not currently support 7.1 surround sound, so if you had to export a correct 7.1 output again, you would have an issue.
You probably could import the 8 tracks, trim your edit and then send it back to ProTools or audio sweetening tool to get the correct 7.1 output again, but you should check with that facility.
Dennis – Adobe guy
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Dennis Radeke
March 16, 2015 at 11:22 am in reply to: Adobe Media Encoder CC – 12 hour timecode limitHi there Alex,
First off, I’d report what sounds like a bug to Adobe via this page: bug/feature request form
As to your problem, if you can actually split up the clip at all, you could make just two large segments (10 hours each). For the second one, you would go to the timecode overlay section, choose generate timecode and then enter in the start time of the second large clip. For example, 10:00:00:01.
I will send a link to this conversation to the AME team as well to see if they have any comments.
Hope this helps,
Dennis – Adobe guy -
Dennis Radeke
March 12, 2015 at 4:05 pm in reply to: Three Way Color Corrector keeps crashing Premiere -
Dennis Radeke
March 12, 2015 at 10:25 am in reply to: Three Way Color Corrector keeps crashing Premieredelete your Premiere Pro preferences, ensure that you’re on the latest version of Premiere Pro CS6 hopefully that helps. Remember that CS6 is not officially supported on Mavericks.
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[Gabriel Sanchez] ”
GPU acceleration is off in AME, tried with it ON with same results. Do you mean switching it off in PPro timeline?”Yes.