Forum Replies Created
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Hard drives are now the single least expensive of all the major components of your NLE.
David Roth Weiss
Director/Editor/Colorist & Workflow Consultant
David Weiss Productions
Los AngelesDavid is a Creative COW contributing editor and a forum host of the Apple Final Cut Pro forum.
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Transcode to a hi-performance codec like ProRes – h.264 is extremely processor intensive
David Roth Weiss
Director/Editor/Colorist & Workflow Consultant
David Weiss Productions
Los AngelesDavid is a Creative COW contributing editor and a forum host of the Apple Final Cut Pro forum.
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David Roth weiss
October 30, 2015 at 5:53 pm in reply to: long clips imported into media pool are partially blackIt sounded as though your diagnosis changed between the post in which you first mentioned going to BM tech support and your latest post. That’s all.
David Roth Weiss
Director/Editor/Colorist & Workflow Consultant
David Weiss Productions
Los AngelesDavid is a Creative COW contributing editor and a forum host of the Apple Final Cut Pro forum.
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David Roth weiss
October 30, 2015 at 5:48 pm in reply to: long clips imported into media pool are partially blackWait a sec, are you saying the BM tech support guys could not figure that one out?
David Roth Weiss
Director/Editor/Colorist & Workflow Consultant
David Weiss Productions
Los AngelesDavid is a Creative COW contributing editor and a forum host of the Apple Final Cut Pro forum.
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Your seq preview file setting is probably set incorrectly.
1) Set it to a the codec you’d like to master to
2) Render the timeline when your edit is locked
3) Export a master that matches the preview setup
4) Use that master in Media Encoder to export any other deliverables you needDavid Roth Weiss
Director/Editor/Colorist & Workflow Consultant
David Weiss Productions
Los AngelesDavid is a Creative COW contributing editor and a forum host of the Apple Final Cut Pro forum.
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David Roth weiss
October 30, 2015 at 5:10 am in reply to: Sound syncing multi-clips in a 20 minute ProRes444 file? Tips please.https://nofilmschool.com/2014/12/automatically-sync-dual-system-audio-premiere-pro-plural-eyes
David Roth Weiss
Director/Editor/Colorist & Workflow Consultant
David Weiss Productions
Los AngelesDavid is a Creative COW contributing editor and a forum host of the Apple Final Cut Pro forum.
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David Roth weiss
October 30, 2015 at 4:23 am in reply to: Sound syncing multi-clips in a 20 minute ProRes444 file? Tips please.Search in Premiere help… There’s an app for that. 🙂
Okay, not an app, but a built-in feature.
David Roth Weiss
Director/Editor/Colorist & Workflow Consultant
David Weiss Productions
Los AngelesDavid is a Creative COW contributing editor and a forum host of the Apple Final Cut Pro forum.
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David Roth weiss
October 30, 2015 at 3:54 am in reply to: long clips imported into media pool are partially blackThat is most certainly something that no one could ever expect. It just goes to show, from time to time, just when we think we’ve heard it all, we realize we know almost nothing.
Awesome discovery Bruce… So, are the guys in Burbank gonna have that fixed by 6am tomorrow? 🙂
David Roth Weiss
Director/Editor/Colorist & Workflow Consultant
David Weiss Productions
Los AngelesDavid is a Creative COW contributing editor and a forum host of the Apple Final Cut Pro forum.
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David Roth weiss
October 30, 2015 at 2:37 am in reply to: Does anyone think FCPX is NOT a Professional NLE?[Michael Gissing] “I can see that X is a big improvement over Legend as expected but as Herb says Pr and others can do the same task”
I think that encapsulates the FCP part of the video… But, what blows my mind is Michael Cioni himself. Damn, that guy is one of the most impressive people on this planet. I’ll bet he doesn’t struggle with too many learning curves.
David Roth Weiss
Director/Editor/Colorist & Workflow Consultant
David Weiss Productions
Los AngelesDavid is a Creative COW contributing editor and a forum host of the Apple Final Cut Pro forum.
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David Roth weiss
October 29, 2015 at 6:45 pm in reply to: Does anyone think FCPX is NOT a Professional NLE?Nice try Bill, however, having cut my eye teeth in Hollyweird from the age 20 as an audio engineer, mixer, and sound designer (before there was such a title, much the same as Walter Murch), for film, television, and radio, my audio bonefides trump your own. Though I must say, you definitely have a great face for radio.
Meanwhile, I’ll give you credit for consistency, you certainly do try to play the database card at every opportunity – it’s about as significant in this discussion of as is your belly button lint, but feel free to hang on to it if you feel it’s your only lifeline.
David Roth Weiss
Director/Editor/Colorist & Workflow Consultant
David Weiss Productions
Los AngelesDavid is a Creative COW contributing editor and a forum host of the Apple Final Cut Pro forum.