Acquisition will done in Cinema DNG RAW, with resolution of 2.5K. This equates to an image size of 2400×1350. From there I would render out proxies at a resolution of 1920×1080 or 2K as the original resolution is something FCP X does not recognize.
I might do trimming inside of Resolve in addition to any keyframing, just looks like a better choice for those tasks. From there XML back to X for title work and some additional finishing tasks. Right now Universe does not appear to be supported in Resolve.
No plans for any VFX work, any effects will be practical, even those will be used only when required.
I assume that Motion will work with material that has been transcoded with the original resolution, though ProRes 422 will be used. If this is correct that material would be edited in with Resolve, then output to whatever format is required.
If there is an easier or better workflow I am all ears.
I try to slay as many glitch gremlins as possible before and during production yet they to love to multiply not to mention love wreaking havoc in post.