Forum Replies Created

  • David Hover

    May 9, 2014 at 8:31 pm in reply to: Legalizing Chroma for Broadcast

    My ten bits on this thread : with Resolve 10 you can choose to change the color mode of a node from RGB to HSL, and that changes the way the channel controls work. So in HSL, soft clip for green becomes soft clip for saturation. Setting the high soft to 100 effectively brings saturation back to what looks legal on the vectorscope.
    This really has to be done in Track, not Clip. Any change in Soft clip clips the signal and voids the 32bit float, so whatever is outside the scopes (luma or chroma) at that point in the node tree can’t be recovered downstream, so I only use it in the last node of a clip in any case.
    I can’t guarantee this is broadcast legal, it just behaves the way a saturation limiter should. I also haven’t quite understood if switching to HSL in Resolve limits the RGB color space in any way, but I haven’t seen anything noticeable yet.

  • Updated CUDA. Solved the problem for me.

  • David Hover

    March 9, 2014 at 9:28 pm in reply to: AMA Plugin Woes (take 2)

    I came across this thread earlier today when looking for an answer to the problem (MC7, Canon Ama plugin installed, no response when trying to ama link to rushes). The discussion has long gone cold, but for anyone coming up against the same problem, the solution I found was this :

    When the rushes were copied to hard disk, they were placed in a folder with a date added to the name using “/” characters. Replace the / with something else like “-” and the ama link works fine.

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