Daniel Low
Forum Replies Created
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Compressing heavily compressed stuff is never a good idea but it’s unavoidable in your case so you have to make the best of it.
Sorenson doesn’t actually know what ‘scene changes’ are only that when the differences between frames is above a certain threshold it will add a keyframe. Adding confusion to this calculation is also the placement of I B & P frames in the source MPEG-2.
As for frame size and player size, I’m not sure where you are going wrong by the bottom line is that the player video window (excluding the timeline) should exactly match the encoded video frame size. You should not be getting any black bars if done correctly.
Scaling using the player will impact the quality and playback performance.__________________________________________________________________
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Try setting keyframes to every 150 – the nastiest bit of corruption appears at the very end of the clip everything else I saw was slight.
Try and avoid blue backgrounds on graphics!
And IMHO, never use the player to resize the frame – encode to the desired frame size.
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[Andrew Saliga] “but Daniel, you wouldn’t recommend an H.264”
Not at such low datarates – it’s worth trying though.
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Two years from now, spam will be solved. – Bill Gates, World Economic Forum 2004 -
[Brecht Wouters] “A client wants to have a video with a duration of 12 minutes resized to only 10Mb”
10 Megabits (Mb) or 10 MegaBytes (MB)?
With or without audio?
I’ll assume MB. The datarate limit is rather low for any text to be clear. You could try H.263 or MPEG-4 or even the sorenson 3 codec at a frame size of 160×120 at a rate of about 120kbits/s
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I measured the window on the test page and it’s more like 508×380
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Two years from now, spam will be solved. – Bill Gates, World Economic Forum 2004 -
What frame size are you using – it looks a bit odd to me?
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Two years from now, spam will be solved. – Bill Gates, World Economic Forum 2004 -
Ok, sounds like there’s a problem in the transcode, probably with the way the fields are being processed. My best advise to you is NOT to use Quicktime Pro to do the transcoding. Do you have access to any other transocding software? compressor, episode or squeeze for example?
What OS do you use?
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Two years from now, spam will be solved. – Bill Gates, World Economic Forum 2004 -
Thanks for posting that back – however it would be interesting to find a solution that didn’t require a deinterlace step.
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That’s a very low data rate for stereo(?) AAC audio used with HD video content. Other than that, there’s very little information to determine what’s going wrong where.
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Two years from now, spam will be solved. – Bill Gates, World Economic Forum 2004 -
Daniel Low
June 10, 2009 at 3:33 pm in reply to: Dvcam video 16:9 full Height Anam. with 4:3 safe areaI’d post this in the Premiere forum for the correct workflow but in answer to your questions:
1. DVCAM is DVCAM not Quicktime (as it’s tape) but it can be digitised or created or transcoded to using the Quicktime DV PAL Codec.
2. If the footage is 16:9 then your project should be 16:9 and so should the clips (1024×576) – when played back to DVCAM tape they’ll be 720×576 FH anamorphic
3. The clips are stereo which is 2 channels (left and right), that’s all they are saying.
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Two years from now, spam will be solved. – Bill Gates, World Economic Forum 2004