[Daniel Doherty]

You have to go into the menu in the EX3 and find Genlock. In Genlock change the setting to 24p. That should do it if it’s the EX3 that is not outputting the correct fram rate.

[Daniel Doherty]

Yep, Michael is right. In the EX3 menu go to Genlock and choose either 60i or 24p. That will set your hdsdi out.

[Daniel Doherty]

Ha! I just got “Rick Roll’d”. Great song but what a terrible music video.

[Daniel Doherty]

You build me up, then tear me down.

That’s so cruel:)

[Daniel Doherty]

Thanks Jeremy.

Although, unless I’m mistaken, the express cards only record ProRes and not the HQ flavor.

Is that correct?

[Daniel Doherty]

I read about the ARRI ALEXA yesterday and, I must say, it put a smile on my face.

[Daniel Doherty]

[Gary]”We are talking about religion here…”

I actually laughed out loud when I read this…Good one Gary.

[Daniel Doherty]

Gary, at least it’s safer than talking about politics.

[Daniel Doherty]

Tim,

I debated and researched for six months before I bought the KiPro. I am well aware of the differences between 100Mb Long GOP and 35Mb Long GOP. I finally settled on the KiPro due to the 10bit nature of the codec versus the 8bit codec in the other product I was considering.

Due to my confusion, my original post was inaccurate. Therefore, I corrected it in my second post by comparing ProResHQ to 100Mb Long GOP. Sometimes it’s hard to find the right question to ask when you’re confused.

I have been lurking on these forums for quite some time. In fact, I’ve become addicted to the flow of information. My girlfriend thinks I need to seek professional help. Although it does help that she has a Masters in Clinical Psychology.

I respect the fact that others are more knowledgeable than I and I appreciate how selflessly that information is passed down. It only becomes difficult when contradictions arise.

Thank you for your time,
Daniel

[Daniel Doherty]

Hello Tim,

Yes indeed, that thread was quite confusing. Admittedly, I am still a bit confused. I originally asked Gary if he had ever witnessed ProRes “add” noise to footage. He said never. Then, on the other site, it was said that compressed 10bit 4:2:2 could accentuate noise (or represent more faithfully) in a lower end camera (EX3).

Was that a reference to Pro ResHQ or ProRes…or all of the above?

Have you ever been witness to ProResHQ “accentuating” noise in an EX3/1?

Does that mean that 10bit ProRes HQ has no benefit over 8bit Long GOP at 100Mb?

Thanks for helping to clarify,

Daniel