[Colin Bonzey]

Hi Mike,

We do a lot of corporate studio work and while you could go with curtains, if you’re only doing interviews, I’d highly recommend using rolls of paper. If you get a green (for chroma key), white (for white seamless or adding color washes with lights and gels), and black you’ll have a few different looks. They’re relatively inexpensive so you could really put any colors you want there.

I’d get something like this: https://www.bhphotovideo.com/c/product/686129-REG/Interfit_INT312_Wall_Mounting_Kit_for.html or just use C stands with grip gear (what I use because I have them).

-Colin Bonzey

[Colin Bonzey]

MXF4Mac looks to be exactly what I’m looking for. Thanks

[Colin Bonzey]

I appreciate your responses, but I may not have been clear enough…The P2 card has been confiscated for security reasons until it has been reviewed and any part of the footage that captured sensitive areas will have to be deleted.

So, I can set my in and out points through log and transfer and capture around the sensitive areas, but I would then have to delete the WHOLE clip off the card and eliminate all of the footage from the archive. I’d obviously archive the .mov if it was the only copy of the footage, but would rather keep the P2 archive intact.

[Colin Bonzey]

I can do this, but when I delete the clip off the P2, I will no longer have the completed archive.

Our archival process maintains the P2 cards in their rawest form so I’d like to be able to keep it intact. It’s a bit obsessive but something that I’d like to be able to maintain.

If editing/trimming the clip during log and transfer is my only option, then it’ll have to do.

Thanks for your reply

[Colin Bonzey]

Great. AJA was extremely helpful and quick. Thanks for the help.

[Colin Bonzey]

I am having the same problem. Where can I get the plugin?