Claude St-arnaud
Forum Replies Created
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These are words of wisdom, if I have ever heard any 🙂
Thank you Grinner! -
Fortunately for me, my employers saw the light of day and decided that one editor per room at a time is quite sufficient. For some reason they want to make the room smaller by a bit but hey, I’m not going to complain, this way, the only person I am going to share the room with is a director or a producer. Fine by me. Thanks for your input everyone, you are great!
Claude St-Arnaud – Editor
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You both reflect my feelings on the subject, but I wonder about the other side of the coin. if there are other reasons for that kind of arrangement, besides cost. Then again, I know I am far more productive when i’m alone in a room or with a director working with me. I was editing in an office space a few weeks ago, the constant conversations and people moving around were very distracting… not very cost effective in my opinion.
Claude St-Arnaud – Editor
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Thanks for your help Jeremy!
Claude St-Arnaud – Editor
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As I said before, I converted a dvcprohd 1080i60 clip to 1080i60 uncompressed 8bit and while I was at it, converted the same clip back to another dvcprohd 1080i60 clip. I did this using compressor and a source clip that was processed from P2 by Raylight. That seems to be the key, I forgot to mention that on most of our projects, the source clips are from P2 and are processed using Raylight.
Both Uncomp and dvcprohd clips played back fine in AJA Kona TV.
I didn’t think it was important because the SD clips from Raylight play fine in AJA Kona TV. Only the Raylight HD clips crash the program. Sorry I didn’t realise that earlier…
Claude St-Arnaud – Editor
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Thank you for the suggestion Jeremy, I tried it, and Kona TV still crashes on dvcprohd clips. I will convert a clip to 1080i60 uncompressed and see what happens. I will report afterwards.
Claude St-Arnaud – Editor
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I will keep try to up my coffee intake, there is lots of room for improvement in that area.
Thank you Arnie!
ClaudeClaude St-Arnaud – Editor
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Great! Thanks for the help Shane. The colorbars need to be in the standard the sequence originates, and the colorspace will take care of itself. Now I will go and pray to the Kona Gods…
Claude St-Arnaud – Editor
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Hey Guys, from this very helpfull site :
https://www.onerivermedia.com/codecs/PhotoJPEG at its highest 100% quality setting is actually a 4:4:4 codec. When reduced down to 75%, it switches to 4:2:2 to help with the compression scheme
Claude St-Arnaud – Editor
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Look into this, mister williams has posted his smooth credit roll solution for us to enjoy. It works great!
https://bretwilliams.com/cowstuff/croll.zip
Also you might want to read this thread:
https://forums.creativecow.net/thread/8/931185
Claude St-Arnaud – Editor