Chris Wright
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Audio Coin
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COW Coin
Forum Replies Created
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did you try importing the project into a new project?
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good guess. yes, the old quicktime h.264 is much lower quality than the adobe media encoder h.264 which has youtube presets. for max quality, prores uploaded is huge but best quality.
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total guess, maybe ram issue. try rendering out to an intermediate high quality codec like dnxhr or prores 422hq. then render h.264 from that.
by chance, any PNG’s in sequence? or warp stabilizers, denoising etc?
did you do the obligatory don’t update premiere halfway through a project?
or at least import old project into new one and delete all media cache, conforms, peak files etc.
turn off cuda acceleration? -
which codec did you choose from quicktime? quicktime is only a container. it can hold: animation, jpeg, h.264, all sorts of stuff.
are you mac/pc? what is your end goal? -
short of white balancing with white card or grey card you mean? if not, your at the mercy of the camera’s auto white balance and exposure. zebra/waveform setup there?
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>93% P3 and >1000 nits is minimum for HDR specs. ironically, how they expect to work everything in rec 2020, when most Tv’s can’t handle 100% P3 is beyond me.
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In camera, the sharpness and contrast is all the way down and only slight unsharp is added in post.
for the grading, it looks like they warmed the white balance towards magenta. -
in RAW land, all this is very different if you use cinema DNG, jpeg2000, EXR, or RAW.
cinema DNG/ RAW is accessed directly right click source settings or in newer version, under master clip, exposure.
for EXR and jpeg2000, read below.The only way I know of “accessing” rec. 2020 data natively in premiere is tricking it into thinking its HDR footage.
The new HDR lumetri interface only supports HDR within two separate containers – JPEG 2000 with a PQ (Dolby Vision/2084/Rec. 2020) curve(Dolby Vision Mezzanine files), and Open EXR.
So you’d have to transcode everything….
How to:
in scopes, switch to HDR
in lumetri color, click checkbox on HDR
you can now use HDR white and HDR specular
There’s a massive gotcha though. it disables input LUT’s in lumetri!as a side note:
Premiere Pro’s J2K exporter now includes a 12-bit PQ option. When you select the RGB 4:4:4 12-Bit PQ option from the Chroma and Depth pop-up menu, a new drop-down list allows you to select the Color Space: Rec709, Rec2020, or DCI P3.
https://helpx.adobe.com/premiere-pro/using/whats-new-November-2015.htmland HEVC checking HDR renders log looking ST2084 gamma of rec. 2020
unless using SDR conform for non-HDR devices. -
there’s help files that discuss how dynamic link works, previews, interpretations, renders, mercury transmit etc.
safe to say, every adobe paper says you are stuck in rec. 709. if you want wide gamut, you’ll need an external monitor capable of loading LUT’s or a transform LUT.
there’s a bunch of sublinks in this post
https://forums.adobe.com/thread/2163198 -
flash will do tweening(interpolation) that’s why.
thanks for posting solution.