Forum Replies Created

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  • if your monitor can’t load profiles natively, you can convert your new icc profile to a lut and put it in premiere’s lumetri. you can do this for free with opencolorio plugin in after effects. load the input and output luts(the standard sRGB, and the new profiled one) and it will export a translation lut.

  • Chris Wright

    November 4, 2017 at 1:44 am in reply to: Need suggestions for fixing bad audio

    eeahhh!!! the ‘partial fix’ blew up the vocal part. I’d go back to square one on this one. do you have the brand new izotrope 6 advanced?
    Do you have audition?

  • Chris Wright

    November 4, 2017 at 1:38 am in reply to: Lost projects!!!!

    if the files aren’t named exactly the same, file recovery software like easus can get them back. I honestly haven’t compared the naming convention but its worth a shot.

  • Chris Wright

    November 4, 2017 at 1:36 am in reply to: Recommended Video Card for around $500

    once you enter 4k, you need at least 8GB VRAM or you’ll get gfx buffer errors and resolve will crash on you. try to get a 1070, 1070ti or 1080. they are all in that price range and have at least 8GB VRAM.

  • SRGB and rec. 709 are exactly the same if your gamma is 2.2.
    rec. 709 CAN be 2.4, 2.6 etc. but the rgb primaries are indeed the same. premiere will ignore any calibration except SRGB gamma 2.2/rec. 709.
    only a lumetri reverse lut can change color profiles if you use adobe RGB or P3, but since premiere will(its been proven) chop off any colors outside the sRGB color range, so P3/adobe RGB luts are not recommended.

  • Chris Wright

    October 30, 2017 at 4:34 pm in reply to: Monitors for editing recommendations

    it all depends on what quality level you need. you can get a 50 in lcd TV from samsung that has better colors than many computer monitors. or go full broadcast quality with decklink 4k to broadcast quality monitors which costs many thousands of dollars.

  • it started with cc 2015. you can update in the cloud.

  • Chris Wright

    October 28, 2017 at 9:25 am in reply to: GH5 strengths and weaknesses of the codecs

    from what I’ve seen.

    anything over 150mbps you won’t notice on youtube. so you can save your bitrate.
    all-i has better panning and smoother motion.
    anything with fast moving subjects will look better if over 100mbps.
    the 6k h265 is beta and doesn’t look as good as the rest. due to poor compression algorithm.
    hlg has muddy shadows.
    420 doesn’t grade as well, neither does 8 bit sunsets.

    1-100mbps 422
    2-150mbps 420
    3-6K video h265
    4-4K video All-I 400mbps

  • Chris Wright

    October 28, 2017 at 9:17 am in reply to: Premiere Pro Dolby?

    backup your dolby file because its been removed from cc cloud old premiere installers as well.
    C:\Program Files\Adobe\Adobe Premiere Pro CC 2017\RuntimeInstallers\1.0\dolbycodec.dat
    tmpgenc is another plugin.

  • in my experience, conforming the lut first gives easier grades. one way will give a log feel and the other a linear feel.

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