Chris Wright
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Audio Coin
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COW Coin
Forum Replies Created
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from my understanding, Tram and Lectrosonics sometimes uses backwards wiring using pin 1(depending on the year it was made), so I would say in general, philips is wired like sony and is compatible with other recorders and computers using the more global wiring standard.(if that’s the correct way to put it)
if you want to find out how your Tram is wired:
https://www.trammicrophones.com/sale/general/bias.asp -
It would be a lot easier in AE because it has built in per character properties and you could precomp any animation. Here’s a gif preview of all the AE text presets.
The 3D Fall Back Scramble & Blur under 3D text looks somewhat close to what you are talking about.
A few tweaks would nail it fairly quickly unless you wanted random letters that aren’t part of the original un-scrambled message.https://blog.motionisland.com/after-effects-presets-text-animation/#.XwP2n21Kj3g
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appear and disappear in place? cross dissolve or straight cut? If that’s the case, a simple keyframe animation in premiere should work with a blur effect in-between like a modern transition effect done at character level? I’m trying to visualize what you’re trying to do and can’t imagine a slot machine like that!
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$40? that’s pretty cheap. I did look into this a few years ago and got a Philips Voice Tracer DVT1400 with wav support. That’s the best option for that price that I know as it came with a mic input, free lav and decent sound. The sound will be about ENG level and you will need to use auto noise removal in post as the preamps are a little noisy, but its high enough quality if you know what ENG quality is. Anything more expensive will have better preamps and more inputs for mics. But in the sound world, you get what you pay for (except Sony stuff, they charge 2x, lol)
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Unless Premiere has a built in preset, it would be too cumbersome to try to do it in Premiere. Btw, I googled “slot machine text preset” and a log of stuff came up. You can buy a pre-made template or code it in AE. It’s up to you.
just replace letter with number here.
https://www.youtube.com/watch?v=fUFv8v0vD2USome contents or functionalities here are not available due to your cookie preferences!This happens because the functionality/content marked as “Google Youtube” uses cookies that you choosed to keep disabled. In order to view this content or use this functionality, please enable cookies: click here to open your cookie preferences.
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try to find one that can record .wav. They are so much higher quality.
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-Try using dereverb before compression
-To match all clips in multitrack view:
Hold down CMD or CTRL and select each clip in the multitrack, then go to Clip – Match clip loudness BT1770 -23lufs.in effects rack, i’d use in this order:
1. set all clips to same volume -23 LUFS
2. EQ out 200hz mic issues
3. dereverb and noise reduction
4 multiband compression 2:1 voice, 3:1 music, 4:1 sfx
5. EQ again for vocal clarity 1150khz raise.
6. hard limiter
7. LUFS -14 for youtubeYou can also make group effects presets that auto-load all effects in a rack all at once.
You can also route each track to a bus to which takes longer to setup, but is very powerful. See link.bussing
https://helpx.adobe.com/audition/using/applying-effects-multitrack-editor.htmlauto-match
https://helpx.adobe.com/audition/kb/editing-using-essential-sound-panel-audition.html -
lookup vids on ‘reverse stabilization’ using mocha. i think that’s what you’re talking about.
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normally you always set your color management to the highest gamut you’re working in or you’re going to clip colors.
If using opencolorio, disable all color management, use linear light as you will need to set each clip to ‘Preserve RGB’ anyway to get io to work correctly.
You can make a .icc with opencolorio’s built in export to .icc feature. I personally wouldn’t use .icc because it uses lower quality bradford transforms than a lut(which I don’t use below 64 cube)
free
https://lutify.me/free-redwidegamutrgb-log3g10-log-conversion-luts/You can skip opencolorio completely and directly go from REDwidegamutRGB to P3 lut(as io is just a bunch of luts anyway) to save a step. then uncheck before render.
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if you’re doing effects, i’d go with at least prores 444 XQ. the higher bitrate will hold composites better than the regular 444. and who uses dpx anymore? it got replaced by EXR like 10 years ago!
no composites are rendered out in 32bpc unless you need to store stuff you can’t even see. but compositing in 32bpc is a good idea for not having to dither pixels in the engine before final output.
some places use ACES in their workflow or turn off color management altogether.