Chris Wright
1
Audio Coin
1
COW Coin
Forum Replies Created
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can you put a control on the controller and keyframe it?
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this should take about 5 min,
1. dl this
https://maltaannon.com/articles/after-effects/the-matrix-raining-code/
2. key this: (a person)
3. use ae’s displacement map or different precomped track matte as (layer-the keyed person)
4. grab a lotte. -
importing it into ae doesn’t have realtime playback
https://forums.adobe.com/message/8440047#8440047
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The file is in “.jsxbin” format. This is an Adobe ExtendScript protected code format, it is not human readable. It is meant to protect the source code.
https://www.adobe.com/devnet/scripting/estk.html
https://www.indiscripts.com/post/2015/12/jsxblind-first-jsxbin-obfuscator-for-extendscript
https://www.scip.ch/en/?labs.20140515
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try recoding the audio alone with handbrake and import and merge with video again.
the audio might be vbr.https://helpx.adobe.com/premiere-pro/using/synchronizing-audio-video-merge-clips.html
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Handbrake can process any DVD or BluRay sources that do not contain any kind of copy protection.
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adobe supports regular reverse 3:2 pulldown and advanced pulldown 2:3:3:2 which was the old dvx-100 method.
both take 29.97fps interlaced and turn them into 23.976fps progressive.
if you drop a 23.976 into a 29.97, it should add the pulldown automatically.
if it doesn’t, you’ll have to render out a 23.976 to 29.97 with 3:2 pulldown and import back into the timeline.other framerates…
it changes the clip speed to match the sequence unless you use
time interpolation – frame mix or optical conversion -
maybe your thinking of frame blending.
1. drop 24fps into 29.97fps comp
2. enable comp frame blending switch
3. right click layer frame blending-frame mixor…
try the old Panasonic DVX-100 method which created more judder than standard 3:2 pulldown using 2:3:3:2 instead of 2:3:2:3.1. use cinema tools to pulldown 23.976 to 29.97 with (2:3:3:2). It will look super juddery.
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if you export, you lose RAW unless you render out 32bpc or cineon log.
adobe’s ACR is where you decide how to interpet the colors, etc.Shooting Resolutions
Apple ProRes 422 HQ 10 bit Film log or Video(Rec. 709)
CinemaDNG RAW. 1920 x 1080 Dynamic Range is 12 bit. log onlyDNG is encoded in log. interpret the color as bmd film lut.
download link here to set your RAW images and videos to BMDFilm lut
https://f1.creativecow.net/9256/bmd-film-raw-to-log-64-emulator -
premiere can render them via dynamic link so its up to you.
note: dynamic link doesn’t support multiprocessing if you use cc 2014.
cc 2015 doesn’t have multiprocessing anyways, so doesn’t matter.