Chris Wright
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Audio Coin
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COW Coin
Forum Replies Created
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1. pref, media
Disable “Enable Accelerated Intel h.264 decoding2. clear media cache/temp files
and AppData\Roaming\Adobe\Common\ -
put in technical folder
https://dl.dropboxusercontent.com/u/109321394/Technical.zip -
23.976/24 is a ‘look’ as in film look. 29.97 progressive does some similar things but features much less judder.
Depending on how you move the camera, lighting, framing, anamorphic, fps all contribute to the ‘look’. if you reduce only one feature, if the others are professional, most people won’t notice.
the lower the framerate, the heavier use you need for warp stabilizer or steadicams etc. plus 7 sec panning speed. :0
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it should work for any duration although it will increase render time. the best thing is to shoot 24p in the first place.
if you don’t need 24p and can only shoot in 29.97, then just do 29.97. 24 is only for film output anyways.if its still 8 bit output, the higher bitrate will only reduce compression, not precision. you still might be needing neatvideo if you do heavy grading in 8 bit footage.
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ehhhh, if you record at 29.97 and export to 23.976 or 24fps without either slowing down or doing frame blending/optical pixel blending, you’re gonna get really bad judder, like I see here. The camera is not moving and it is not supposed to look like that.
how to enable optical flow
https://helpx.adobe.com/premiere-pro/using/duration-speed.html#optical_flow -
sounds like you’re seriously missing a chipset driver…. either for the mobo or the adaptor.
and you really need an adaptor with UASP support or usb 3.0 won’t really do much. could be a bad adaptor as well that can’t handle throughput of 3.0. try it in another computer to see.
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Multi-Machine Network Rendering
https://helpx.adobe.com/after-effects/using/automated-rendering-network-rendering.html
up to 2014 cc so you have to open 2015 with 2014 to use it as watch folder doesn’t exist in 2015.lynda video
https://www.youtube.com/watch?v=JDJO380VQok -
its recommended that you render out the warp stabilizers from the sequence and import back in. Also, luts on individual clips instead of one in adjustment layer will make large project files as well.
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if its that obvious, then audition’s auto heal should fix it easily.
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here’s another way to do it. It combines keying luma, chroma, and saturation together in a procedural keyer without using keylight. no mattes.
AE project
https://f1.creativecow.net/6898/bandingwhite-masker