Chris Wright
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Audio Coin
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COW Coin
Forum Replies Created
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did you try disabling h.264 acceleration in pref, media?
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transcoding to handbrake should convert iphone variable frame rate to constant frame rate. (not to be confused with constant bit rate). Adobe products do not support variable framerate.
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call me crazy but I don’t see a hue rotation in lumetri. only a hue by hue select color change not a global hue change.
and there’s no split screen feature in lumetri, so why is it better?
fast color corrector’s hue wheel that you can drag around is way more intuitive than temperature and tint which don’t work very well. There is also a limit to how much you can use black and white in lumetri.
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its in , the “obsolete” folder
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thanks! you should try turning it into a professional program on aescripts
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it seems you are collecting a good number of bugs. you can report them directly to adobe here.
https://www.adobe.com/products/wishform.html -
honest opinion here, so strap yourself in and prepare for constructive criticism 🙂
you wanted a “vibrant / cinematic film, but with an universally realistic and natural feel and tone”
those 2 statements are at odds. Cinematic is usually tinted or off-white. Never calibrated to, let’s say, a bland news broadcast color palette.bumping up saturation to 100% in any NLE will bring an unnatural neon glow that burns all the similar tones into one glowy mush. There are many ways to bring out color than pure saturation, such as contrast, tints, white balance, luma mattes etc.. The leave color effect is one good example, others; channel mixing, or even variations of hue of individual colors, or even hints of technicolor.
I recommend a little more experimentation, and don’t rely 100% on lumetri. It doesn’t have 10% of what’s out there.