Forum Replies Created

Page 59 of 283
  • Chris Tompkins

    September 8, 2012 at 12:58 pm in reply to: Using Adobe Premiere CS4 as monitor

    Just begin the instal as you normally would and you will get to a screen where you can select or deselect what to install.

    You want “on Location”

    Chris Tompkins
    Video Atlanta LLC

  • Chris Tompkins

    September 8, 2012 at 10:54 am in reply to: Why do I have this odd strobe effect?

    It is to large a file to ask folks to download BTW.
    I thought I stopped it and didn’t.

    Well, 1080 50i is interlaced. You failed to mention the frame rate?

    1080 50i/25p?

    It looks like you shot 1080 50i/50i?

    Chris Tompkins
    Video Atlanta LLC

  • Chris Tompkins

    September 7, 2012 at 10:06 pm in reply to: Feedback Requested

    I think it looks good, easy to nav, nice job.

    Chris Tompkins
    Video Atlanta LLC

  • Chris Tompkins

    September 7, 2012 at 9:59 pm in reply to: Simple Audio + Video re-capture issue

    It’s a Pain in the Bleep’
    We’ve all done it.

    Select all the clips and make off-line.
    Select all clips and choose batch capture Current settings not original clip settings.

    Chris Tompkins
    Video Atlanta LLC

  • Chris Tompkins

    September 4, 2012 at 1:03 pm in reply to: Sequence settings for multiple clip types

    [David Watson] “I have 6 Quicktime Movie clips from the Nikon. They all have an fps of 23.976, and an aspect ratio of 1280 x 720 (1.0). I have 34 clips from the other two cameras combined. They all have an fps of 29.97, but 9 of them have an aspect ratio of 1440 x 1080 (1.3333), and the other 25 have an aspect ratio of 1920 x 1080 (1.0).”

    Good lord man, where’s the planning before the shoot?
    No offense to you.

    Pick the one you will use the most of, make that your sequence settings.
    The 1440 x 1080 is a thin raster 1080 which is the same as the 1920 x 1080 that you have when editing so, you really have:

    1080i/60i
    and
    720p/24p

    Go with a 1080i/60i sequence, so grab a 1920 x 1080 clip and drop that on the make new sequence to match icon, run with that one.

    Chris Tompkins
    Video Atlanta LLC

  • Seeing those stills makes me think of:

    CMYK color?
    index color?
    .gif files?

    All of which should be converted to:

    RGB

    The video though? What was it shot on?

    Chris Tompkins
    Video Atlanta LLC

  • Chris Tompkins

    September 3, 2012 at 2:36 pm in reply to: Sync two cameras with time code

    Find the same time on each and line em up.
    You find it easier to put ALL clips in the sequence to start.
    Track 1 the continuous footage.
    Track 2 the multi clips from start/stop.
    Line up the time-codes on all clips.

    Then, slice and dice for your edit.

    Chris Tompkins
    Video Atlanta LLC

  • As Steve said, can you get access back to the CS suite and use AME to convert?

    How large a file is it BTW?

    Chris Tompkins
    Video Atlanta LLC

  • Chris Tompkins

    September 3, 2012 at 1:21 pm in reply to: Video freezes on capture but audio continues to play

    Not running out of HD space are you?
    Prob. doesn’t go away after a reboot?

    Chris Tompkins
    Video Atlanta LLC

  • Chris Tompkins

    September 3, 2012 at 1:19 pm in reply to: Sync two cameras with time code

    [Tero Ahlfors] “If the cameras are genlocked together the files should have identical timecodes running so you can sync with the timecode embedded in the file.”

    Not true if one cam ran the whole time and one cam was start and stop as indicated in the original post. This is why I asked about “Time of Day” time-code which is what you should use in this case.

    Chris Tompkins
    Video Atlanta LLC

Page 59 of 283

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy