Chris Martin
Forum Replies Created
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Go prores and enjoy a nights sleep.
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You can use color trace if your source clips are the same. Different ways to color trace described in manual.
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+1 to Jake’s sentiments about having visual UI confirmation. I would consider this a very big deal.
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The Lite version used to be limited to a 1920×1080 output. Have they raised the bar to a greater res?
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+1 on the blade tool. Very awkward compared to v9’s split clip function or other nle’s blade tools. Also it seems to cut clips on video layers that are locked that I don’t want cut.
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Or just create a new empty timeline and select all from original timeline and copy and paste to new timeline. Voila a copied timeline with all grades!
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Regarding a collect feature, I guess the case can be made that the primary intention of Resolve is to still render out newly created graded media rather than collecting it to go elsewhere to do so.
Clip management via copy and paste works solidly as does R3D trimming
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Question-do you have a lot of edits that share the same source files (take)? One issue may be that in the case of a handles sequence that you may be creating a lot of trimmed R3D files that have same meta data and overlapping timecode, which would naturally create conflicts when the trimmed files are added in to media pool.
I sometimes conform the R3D files with XML and carry across repos. Then dial R3D settings and render out the tied sequence DPX frames at target resolution and use edl with the newly created preconform DPX sequence. Any changes can go to a top layer and you can use proxies if needed.
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XML repo info works fine. Your problem is probobly due to how you have your config settings for scaling into an HD timeline. Sounds like you may be set to scale image to fit and you may need to be on another option. It needs to match how you were set to work in FCP. You may be doubling up on your scaling so to speak.
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If you’ve conformed from source files via edl/aaf/xml and used the default remote grades then the good news is all you have to do is import revised edl/aaf/xml into same session and the grades associated with the source files will migrate automatically. Preconform color sessions will not be quite as effortless with editorial changes.
BTW xml’s out of premiere to Resolve support image repo info but not aafs.