Chris Harlan
Forum Replies Created
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[Neil Goodman] “I dont know any editors who simply throw a ton of clips in a timeline and go with out selecting outs and doin marks etc.”
And, if they do, they are simply using a timeline as a bin.
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[Steve Connor] “”Numberwang” Franz? Brilliant!
“Indeed! I think that the forum’s thumbs-down button should be replaced with an icon of someone with the “NO” sack over their head.
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[Franz Bieberkopf] “I don’t understand those who want to limit the capabilities of NLEs – in principal – in deference to dedicated DAWs. But then I’m one of a seeming few editors that insist on part-way decent audio monitors at good level while I cut.”
Me too. I triangulate my near-fields, use dampeners, the whole 9 yards.
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I wonder if the little Apple moment inside the video was specifically chosen for the piece.
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[Dennis Radeke] “I would actually say that CS6 was more the release post FCP X. CS6 was shipped in early May 2012 and the release date of FCP X was June 21, 2011.
However, I hope that our next release will delight some more of you. If not, we’ll still have a friendly conversation on this and other forums. ;-)”
Six was pretty convincing, Dennis. Here’s to a lucky number 7!
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[Boris Yamnitsky] “Glad you mentioned Boris FX transitions for Adobe Premiere. Both Boris FX 10 (least expensive option) and Boris RED 5.2 work as true single track transitions in Adobe Premiere. “
Boris! I’m a fan. I am truly grateful for that Red transition plugin. And, I DO use the browser view quite a bit. Its also terrific that I can go back and forth so easily between MC and Pr. And, btw, thanks for those free Eye Scream presets you folks sent out today. I’ll be playing with them a bit later this afternoon.
Because of its customizability, I would still use the Red Plugin much of the time, even if Continuum transitions were available on a single track. But, having the single track option would be very nice. Of course this is a niggling issue in MC, as well. I just got spoiled by Continuum’s ease of use in FCP.
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[Jeremy Garchow] “[Andrew Kimery] “One downside to being able to binge on a show like this is that it makes the wait for the next season that much longer. Sure, it’s awesome to be able to keep hitting ‘next episode’ and get your fix but season 2 hasn’t even started shooting yet so it’s probably going to be a year before it becomes available. It also loses that water cooler/tweeting aspect that a scheduled event has and I think House of Cards is certainly the type of show that could get people talking the day after just like Breaking Bad or The Walking Dead can.”
But isn’t that what makes Walking Dead so interesting? As much as it is frustrating, splitting up the season in to two parts somehow makes the wait more bearable. Maybe Netflix will take a cue?”
If you guys are really jonesing, check out the original trilogy–House of Cards, To Play the King, and The Final Cut. Ian Richardson is marvelous. You can get all twelve hours on iTunes.
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[Dennis Radeke] “[Andy Field] “Yes it needs a more robust set of plugins – but developers are katching up)”
And we are working with our developers to help them make more plugins. Realistically, the issue is more transitions. This is something that can be done by plugin developers for some time but until recently they didn’t have as much incentive to do it.
“I went with Red so that I could have a seamless experience between MC and Pr, but popping in and out of the Red interface is a wee bit of a hassle–not terrible, mind you, but sometimes a bit of overkill. I’d sure like to see Continuum transitions work in a less awkward, non-layered manner–is this something Boris has the power to do now, but hasn’t yet implemented? Or is there something on the Adobe side that still needs a bit of tinkering?
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[Dave Jenkins] “We should be able to change 2 Mono to Stereo and vice versa. Sure I could learn how to work around this shortcoming but I shouldn’t have to. If a client says he want this at the end of an edit, what do I say? Sorry I need to rebuild the audio portion of the program.”
I’m sorry if I misunderstand, but isn’t it simply a matter of panning your clips?
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David! Welcome back!