Chet Wesley
Forum Replies Created
-
Yes, that is right the rs-110 is a CCU. Thanks for answering my question, that clears things up.
The cameras are messed up, I don’t think there is any hope for them, which is why I was hoping to be able to use the mixer to switch other non-sync requiring cameras.
-
Thanks, I had just actually figured it out finally.
-
That was it Joe, thanks very much!
-
Yes, I see the color temperature in the listing, but they do not list the color rendering index.
What I understood was that lights could be balanced for a certain temperature, but still not evenly represent different areas of spectrum. I was told that the CRI tells you how evenly the spectrum is represented… ie: a CRI of 100 would be completely flat spectrum representation (even lighting across all frequencies), while lower CRIs could have major dips or spikes in certain areas of the spectrum… Sort of like frequency response in a microphone or hifi speakers – flatter is better and results in a more natural, “true” image.
I haven’t lit a shoot with low CRI fluorescent bulbs before, so I don’t know much about the resulting image in a practical, tangible sense.
[edit] Sorry, after that I forgot to say thanks for the other info you have given, that should help even if these are low CRI.
-
There isn’t a similar feature for the consumer/prosumer early JVC HDV cameras, is there? I have a dead pixel on my GR HD1u
-
As far as I know from the advice I have gotten here on this forum, this is not possible to do through firewire.
-
Wow, I had no idea this was actually such a difficult thing. Is it due to the structure of data flow in the firewire connection or something like that? I am using a DSR-11 btw.
-
Do you mean unless you are printing to a deck hooked up through firewire? That is what I am doing.
-
I think it would depend on what you are working on. If it is something that is very music driven, then the music can be very important and can even automate features of your animation.
However, if it is just sound fx or a backing track, I often just add those in after the fact in the video editing application.
Audio in after effects is very clumsy. I avoid it unless I am doing something that relies on the audio for timing or an effect.
-
by the way, I was able to get the characters reversed using the tracking animator, but the spacing looks funny when it is reversed – not naturally spaced like it is when it is forwards. None of the parameters seem to help. Any ideas?