Forum Replies Created

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  • Charles House

    October 22, 2010 at 5:58 pm in reply to: Remove 3:2 pulldown after import

    I shot the entire thing in 24p. Never touched 24pa.

    I’m finding it hard to believe that Final Cut can’t do a single thing about this once it’s happened, and that there’s absolutely no way to fix it at all, but Premiere has a toggle for it.

  • Charles House

    October 12, 2010 at 7:16 pm in reply to: How should I export for best quality?

    I don’t think that’s going to happen. I suppose I’ll just have to deal with it.

  • Charles House

    October 12, 2010 at 6:11 pm in reply to: How should I export for best quality?

    The last suggestion is Spanglish to me.

  • Charles House

    October 12, 2010 at 5:30 pm in reply to: How should I export for best quality?

    Thank you for the response. I guess I’ll have to see why it get these interlace artifacts when I burn to DVD sometimes.

  • Charles House

    October 12, 2010 at 4:58 pm in reply to: How should I export for best quality?

    A few corrections.

    “When I watched it full size” means “when I exported and watched the clip.”

    We didn’t shoot 24pa, we shot 24p.

    I did notice, at one point, when I exported full scenes and burned them to a DVD to watch for matching when shooting scenes in the same location later, there was a lot of odd interlacing artifacts. However, when I exported a series of random shots to a DVD (a trailer I cut together), I didn’t see these issues.

  • Charles House

    October 12, 2010 at 4:40 pm in reply to: How should I export for best quality?

    I appreciate the information. I ran a scene through JES Deinterlacer and the lines are, more the most part, gone now. Does that seem right if this is, in fact, the issue?

    Do the above scenes look like the pulldown issue is the case?

  • Charles House

    October 12, 2010 at 4:18 pm in reply to: How should I export for best quality?

    It’s 720×480 DV standard.

    I did auto-detect for the import settings, and it imported everything to be edited at at 30fps. I don’t intend to do Blu-Ray or make a film output, that’s just silly for such a low-budget film.

    Everything was shot on the same DVX100A, a few times early on we flipped over to one of the other settings, but I don’t think we used any of those shots, anyway. Nothing came out at a mismatched frame rate, everything imported to be edited at 30fps. Until I started noticing this very subtle banding/interlacing (every 4 frames) when I watched it full-size, I never noticed any issues wiht the image, and I’ve worked with it every day for at least 3 months.

  • Charles House

    October 12, 2010 at 5:15 am in reply to: How should I export for best quality?

    If they were imported at the wrong frame rate, can I fix them without re-importing? I have probably 20 hours, and hundreds of cuts, in the project.

    Take a look at these samples of what I mean. These are without the deinterlacing done, so this is what it would look like if I did “to quicktime.”

    https://www.youtube.com/watch?v=FSorL3UgVvk

    https://www.youtube.com/watch?v=Te71gHz_dfY

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  • Charles House

    October 12, 2010 at 3:08 am in reply to: How should I export for best quality?

    I think I’ve found the issue, but I’m unsure.

    We shot almost everything in 24p. When I imported, I let it auto-detect the capture settings. It captured at 30fps. I edited the entire film at 30fps. I’m starting to feel like this is a mistake.

  • Charles House

    October 12, 2010 at 2:11 am in reply to: How should I export for best quality?

    I need to send two scenes to a digital effects editor who uses After Effects. As long as it’s an MOV file, he can use it.

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