Charles House
Forum Replies Created
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I don’t mean to sound snide, and I appreciate your input, but I think you’re forgetting how many features are made each year that will never see a “to film” transfer or television broadcast. I’d venture to say the numbers are significantly higher than those that will, to the point of being in multiples over the number that will.
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Yeah, I literally have about 12 hours to burn 200 DVDs before going to the airport to take it to a festival.
My first feature film.
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My Compressor doesn’t work. IE, it won’t register. My Final Cut registered fine, my Compressor never did. And I don’t care.
It’s rendering, I think. Just excessively slowly. I Googled the difference between using compressor and using iDVD to compress the whole end project down into DVD size and most didn’t notice a difference. In fact, most expressed frustration with Compressor, similar to what I’m feeling. Thanks.
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Because my compressor doesn’t work. Never has.
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I appreciate the suggestion and outline. I’m not all that concerned about having a 24fps timeline at this point. I just don’t want unbearable interlace issues. One seems to think that’s going to be the case, while the other says it’s not going to be noticable.
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Yes, watching it on a DVD player on a television in the living room.
I looked through the few samples from this project I’ve posted online and can’t find anything that shows the issue.
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As I said, I see them mainly after export, especially on DVD. But as I also said, this could be a different issue and have nothing to do with the pulldown.
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You’ve asked me this before. I don’t have a video monitor. When I really notice these issues is after export of a scene to view dailies or show the DP in order to match lighting, etc.
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So, you’re suggesting that if I shot 24p and edited in 30fps timeline, on a DVD, it won’t be noticeable, or at least won’t be terrible? I notice occasional interlace-looking issues in the footage, and after doing some research, I thought maybe this was why. But if you’re suggesting it’s not something that’s going to be all that drastic or overbearing, then that’s probably not the issue, which is relieving.
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I’m sorry, but why are you so condescending? There’s no call for it, I’m simply trying to get information and solve a problem which can’t be a first-time issue considering how easy of a mistake it was to make. I really find your attitude uncalled for and rude, and if you feel it’s necessary to get that way when you speak to people who you feel know less than you (which, in the case of answering people’s software questions, is always going to be the case), then I feel very sorry for you. If you feel the need to continue doing so, please don’t bother responding. I’m sorry for stepping out of line, but every post you’ve made to me in this thread has been down your nose, and I don’t appreciate it. We’re adults here, and we should act like them, please.
I’m reading about Cinema Tools and Compressor potentially being able to solve this issue. I’ve tried JES Deinterlacer, and it seems to help, but also add some blur. I am also not aware of how do alter the settings as per my footage, if that’s something I’d need to do to get the best results. Are any of these options for me?