Charles Alexander
Forum Replies Created
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AE 5.5
thanks for the help!
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charlesalexander.us -
Just to play devils advocate… “I can think of no reason to ever letterbox”: DVD’s?
Thx Bret, my intuition was not to, I said to myself – do not put big fake black bars on your frame… : )
If anyone has experience with FF’s around the world very interested in their opinion.
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weightclasses.us -
I don’t fully understand your question.
But essentially no.
We shot in 16:9 on Canon 5D and 7D.
Thank you for your promt response.
Forgive my naivete.
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weightclasses.us -
I appreciate this detailed feedback and kinda like the work flow.
So how would you go about the preparation?
My time concern was 422 transfer each clip (original plan was to let MPEG Streamclip do this) then audio sync (all takes by hand with DualEyes). It will take 8-10 hours.
Revised and current plan – L&T very quickly throwing away garbage and setting in/out points on delayed rolls, etc. etc. then edit & sync master audio using PluralEyes take by take (two camera shoot, one master audio file) then whither it down from that.
However I love the concept of a master timeline. I really agree with that sentiment.
Что вы думаете?
Thanks everyone trying to learn as much as I can. Appreciate all the feedback/time.
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weightclasses.us -
Спасибо за помощь.
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weightclasses.us -
I’m literally staring at my computer wondering who the hell can I get to answer this.
“So, transcode then sync audio to chosen takes. Your head will feel better.”
Yup.
I officially owe Joseph Hung a beer. I’ll start by following you Twitter and giving you a FB like.
See you at Sundance.
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weightclasses.us -
Bret,
I was going to use Colorista as its easy to earn and produces a great finish ( I am going B&W).
Any tips on the syncing audio ?
I am trying to wrap my head around how to sync audio before or after converting to Pro Res.
Again with the stipulation that I don’t want to Log and Transfer before audio is synced, but again, if thats what I have to do, I’ll do it.
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weightclasses.us -
Hey Steve,
Thanks for the feedback.
I am instinctively hesitant to do FCP’s Log and Transfer process without master audio being synced. If I’m going to be making notes on each shot/take – I want to look at the final synced product so I can note any glitches with the sound? Thus the batch processing in MPEG Streamclip…
So perhaps I should sync with Dual Eyes before I log and transfer? But I was advised to sync audio after converting to ProRes.
For example: I don’t want to go through each clip, mark one as a gem, then after syncing, realize that an audio glitch renders the take unusable.
Any thoughts to that? I am complete newb and if I have to Log and Transfer, THEN sync, THEN begin the edit, so be it.
Really looking to learn how people work and incorporate it as I start my adventure.
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weightclasses.us -
Thank you so much Shane.
Last favor:
Anything at the tip of your fingers on expert processes to desaturate DSLR footage?Looking for contrasty b&w.
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hype.com -
Hey Shane,
Awesome tutorial.
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hype.com