Bryan Colvin
Forum Replies Created
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I hear ya. Its just a pain when you have 300 VFX shots that all need tape names and you need them for the online conforming process to work 🙂
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Gotcha, okay well thanks for the reply
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No I’m asking if i can do it INSIDE after effects
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https://aescripts.com/immigration/
there we go, does exactly what i need, if any of you need this try out this thing
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lame, but thanks for clearing it up for me guys!
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Can you try it with just a mono track? because I don’t fall into any of those categories, thanks for sending though great info!
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I’m on the newest monthly MC 8, I was previously on 7 and don’t remember this issue, but i think i’ve always gotten poly tracks, this is my first run in with mono incoming audio
Mac Mini
8GBs RAM
2.4 dual core intel
Avid MC 8 (monthly)
OS X 10.9.1 -
forgot to reply to this. Well ended up being manual fix until we said screw it, online editor will just put them in (producer’s idea)
unfortuntaely didn’t come up with an answer to it. Opened DPX image sequence in another DPX viewer and timecode looked correct. Maybe After Effects doesn’t do this properly? not sure…
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Thanks for the tip.. Although I’ve got to find another way because I have 400 VFX shots to put in haha. I see room for human error to wreak havoc on that workflow.
I just need the best way to batch ALL the DPX files into ProRes 1080P 23.976, and maintain timecode.
Maybe there’s a better suited program to do that…
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Maybe it has to do with the trial version somehow.
If it goes away when I plug the license in I’ll let you know. Otherwise I’ll just have to report the bug to avid