Replies – Forums – Brian Globus

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Brian Globus
April 3, 2012 at 2:05 am in reply to: Converting from H.264 in Final Cut Express 2. Don’t have AIC.

Yes, my RAM became unseated and no parts available to resecure it. It is operational for the time being however. (knock on wood!)

Thanks again for the advice.

Brian
Brian Globus
April 2, 2012 at 4:08 am in reply to: Converting from H.264 in Final Cut Express 2. Don’t have AIC.

Thanks again Jerry,

Not sure I’m up to the task. I don’t even have a copy of the OS I’m currently working with. The repair shop loaded it on my last visit when I discovered my PPC G5 is considered a relic. I couldn’t get parts to make the repair needed.

Thanks though. I’ll find a way to hobble along until the new iMacs are released. Any day now I hope!

Brian
Brian Globus
March 28, 2012 at 1:43 am in reply to: Converting from H.264 in Final Cut Express 2. Don’t have AIC.

Thanks Dave, I’m starting to think the same thing. I’m in the process of updating my system but hoped to get some editing done in the meantime.

I appreciate the workflow instructions.

Brian
Brian Globus
March 28, 2012 at 1:41 am in reply to: Converting from H.264 in Final Cut Express 2. Don’t have AIC.

Thanks for the tip!
Brian Globus
March 28, 2012 at 1:40 am in reply to: Converting from H.264 in Final Cut Express 2. Don’t have AIC.

Thanks Jerry,

Looks like I have a DV/DVCPro option on my list. I might try that.

I don’t have compressor and can’t seem to find a version old enough for my system (OSX 10.4.11 PPC). I am in the process of upgrading to a new iMac but in the meantime i’m struggling to edit on the system as is.

Thanks for your suggestions.
Brian Globus
March 28, 2012 at 12:17 am in reply to: Converting from H.264 in Final Cut Express 2. Don’t have AIC.

Thanks. I couldn’t find the AIC download online, only the update. I read posts from others with the same problem. My version of FCE appears to be missing AIC for some reason. Were you able to download the full AIC codec?
Brian Globus
October 6, 2011 at 10:19 pm in reply to: Choosing a ProRes format in Compressor

Thank you so much David. I’m sure Goldie Locks will enjoy her bed and oatmeal now. ProRes 422 for Progressive Material it is thanks to your expert advice.

Bye for now,

Brian
Brian Globus
October 6, 2011 at 1:55 pm in reply to: Choosing a ProRes format in Compressor

Hi David,

Thank you that was very helpful. I am definitely feeling like a bit of a goldie locks on this issue.

How about ProRes 422 for Progressive Material? I’m not sure how that differs from the standard 422. I’ve been told Canon 5D shoots in 8 bit though so I’m assuming the 10 bit with progressive is not needed. My Director’s main concern is having the best broadcast format possible.

Thanks again, I will definitely check out your forum.

Brian Globus
Junction Film