Bret Williams
Forum Replies Created
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Why can’t you color correct? Open the snapshot and open the multicam. If you’re looking for the multicam in the event, it won’t show up there until you open it from the snapshot. Once you enter it in the snapshot project then the multicam will appear in the event.
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Doesn’t the XML from X always point to the original media, and not the optimized?
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I was under the impression that Resolve 12 introduced multicam and support of FCP X multicam.
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You can detach the audio from the video and move it very precisely. But you’re obviously limited to moving video within the physical constraints of the frame rate of your timeline.
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Ditto. Maybe it’s 20 years of editing on 2 screens but I can barely surf the web on 1 screen now. I keep the left screen for the library. And I don’t like the single viewer either. I keep the event viewer open pretty much at all times. When you’re using two screens there’s just wasted real estate if you don’t, unless you pop open the waveform/vector, but that decreases performance a bit.
I think the single screen mode is great if you’re having to edit on a laptop though.
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I might restore back to your most recent backup that doesn’t have the twins.
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There are two apps. Affinity designer, which is akin to Illustrator but also with a lot of PS type stuff built in, and Affinity Photo which is like PS, but with quite a lot of vector tools as well.
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Android started with the flat, then iOS then X. But X hasn’t been given much of a flat look. Resolve 11 looked a lot more like X than 12. 12 has taken the good and made it better. Although not completely custom, they manage the spaces better than X.
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The X interface feels like it’s directly derived from Aperture, and before that iPhoto. FCP legacy and DVD Studio Pro seemed like the only two apps in Apple’s lineup that kept that odd tiny font, tiny bezel look.
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I’m guessing you duplicated the project and just kept editing in the original, thinking you were working in the duplicate. Did you open the duplicate?