Forum Replies Created

  • Yeah, I’m not a fan either. Unfortunately, the Nanoflash (which records XDcam) was the only portable option for external recording that we could find. Now, the AJA Ki Pro Mini is coming out (which records to the prores family). I’ll likely push for the switch. Knowing that we could edit natively in the XDcam, I wanted to try it. Now I know that for anything other than cutting I should transcode. If anyone has a solid explanation as to why AE would “read” the XDcam footage differently than Color, I’d love to be enlightened.
    Thanks for the conversation,
    Braden

  • Solved it, converted to prores 422HQ… for some reason AE didn’t interpret the XDCAM footage the same as Color.

  • I’ve been trying that a little, on it now, doesn’t seem to be any better…

  • do you see any interlacing when you view the source QuickTime in your QuickTime player? If not, chances are your camera is just pulling down your 24p into 60i. And it wants to stay that way. If your camera shoots 24p Advanced, you’ll want to use the advanced pulldown removal in your capture settings. This will make your end clip 23.99 fps

  • Braden Wheeler

    February 20, 2009 at 1:50 pm in reply to: ***NEED HELP RECONFORMING 24p back to 60p

    yeah, compressor 3 did the trick. I used frame controls to get back to 59.94 then recompressed back to 23.98 and everything appears to be fine.

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