Bouke Vahl
4
Apple Final Cut Pro X Coins
8
COW Coins
Forum Replies Created
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Not sure, but are all clips 48 Khz?
If not, render to 48 Khz, try again.Bouke
http://www.videotoolshed.com -
What codec did you render to?
Do NOT use anything H264. If you are in ProRes or DNxHD at 1920 or lower, it should be fine.
If not, something else is the problem.
Start with a fresh project and just a few ProRes files imported, see if that works.Bouke
http://www.videotoolshed.com -
Well, some basic math isn’t that hard, I can do so.
For the OP, what do you want?
(I can make it happen.)Bouke
http://www.videotoolshed.com -
Eeh, Michael,
Was that aimed at me?
(If so, I have no clue, but I do know I can parse this file and place any info in an ALE.)Bouke
http://www.videotoolshed.com -
And what info would you like into the ALE?
(I don’t see any interesting stuff, and I ‘think’ most ‘should’ be there on import anyways…)Bouke
http://www.videotoolshed.com -
Hi Vipin,
Sorry, a bit late at the party…
As Michael stated, the XML from the Sony contains nothing interesting that won’t be imported anyways (AFAIK).
For the .txt from the .cine files, what’s in there?
I’m currently working on an application that works on .ALE files, and can do a few tricks.
It’s possible to merge the contents from a .text file as well, but I have never seen the files you describe.
Can you mail me an example?
(bouke at videotoolshed dot com)Bouke
http://www.videotoolshed.com -
[Fred Feuerstein] “but I am working with proxies and I am afraid this could lead to problems in the finishing steps.”
Not sure if that is indeed a problem, since I think Premiere looks at the start offset in clips.
But it needs to be fully tested, and even then it’s indeed scary as hell.
(Especially if there are updates…)But why not give the offset to the BWF files then? BWF toolbox can do that, no probs to make a backup of your sound files I would think.
LTC convert would give you the option to subclip with an offset, but that seems way overpowered.
How high are your TC numbers? (If they are low, say under 01:30:00:00), a small offset could be due to wrong interpretation of the speed. (It will get bigger on higher numbers.)
Also, it could be a wrong sampling rate (intentionally set to force a speed change, like in the old days shooting 23.976 to finish in 24, or vice versa.)Bouke
http://www.videotoolshed.com -
Finish in Avid?
Now, is the offset always the same? If so, if the video is Quicktime, QTchange can do the trick.
Or you could use BWFtoolbox to offset all sound files.
Or, if the drift is always different, use Autosequence, then manually check each clip and trim.
All can be found on my site.But if the drift is always different and increasing, are you sure it’s not a setup problem?
Bouke
http://www.videotoolshed.com -
My solution is here:
Not free, but very versatile and high quality subs.https://www.youtube.com/watch?v=FcKOZAkhRRM
(Disclaimer, I’m the author of the app…)
Bouke
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