[Nino Giannotti] “www.EFPlighting.com”
Very nice, Nino. Great website, well laid-out.
In terms of lighting and rigging, it’s a big leap from the one-camera, one-subject, one-angle interview to the two-camera, two subject interview, especially where the space between the two people has to be “clean” and the keys have to be boomed.
What, in your opinion, is the ideal location equipment rig for that situation? The best trade-of of great results and portability?
John Sharaf has given this forum some great tips about how to handle the two-camera situation. John has shown the use of boomed HMIs, I suppose in part because the greater output of the HMIs is really helpful, when the key has to be that much further away from the subject.
Two-camera is a challenging situation, beautifully handled by John and Nino, and something I would like to try. I’ve noticed that even on top-line shows, almost every time that the lighting has been subpar, it has been in a two-camera situation.
— Bob C