[Wayne Carey] “Here’s a fact, how BVW-70 decks are still in operation and being used in broadcast facilities? My last job had several that was almost twenty years old, that’s impressive.”
Good points, and my natural tendency is to buy the most robust hardware. If I had more faith in the future of the HDV format it would be a no-brainer to get the 1500.
In Betacam days I opted for the UVW1800, which was cost-effective, though it did require service a few times. Now I have a BVW 70 sitting idle. Glad I didn’t pay full price.
The price differences between the 25 and 1500 today are much less than the old Betacam UVW-PVW-BVW differences, and if I knew that HDV was going to be nearly as significant as Beta, I’d opt for the 1500. But I’m thinking that HDV is going to be just a bridge format, and that’s why I’m trying to be as stingy as possible with the deck.
The money debate reminds me of the film days, when a “long” interview meant shooting more than one 400′ roll of film, and you could easily blow thousands of dollars in film in an afternoon. Yet that same evening, I could also be checking the prices in the grocery store, and trying to save 30 cents on a can of beans.
For less money than the 1500, I can get the M25U + AJA’s analog-to-SDI converter (HD10AVA). With the HD10AVA I could get anything SD into HD-SDI. Makes you think.
Thanks all for the feedback. I really appreciate it.
— Bob C