Forum Replies Created

  • Bluelight

    July 22, 2005 at 6:14 pm in reply to: XDCAM HD

    [jiri vrozina] “It is only 1/2′ camcorder at the moment comming next year.
    XDCAM HD is highly compressed HD.”

    have you been able to find information about datarates etc on the web somewhere?

  • Bluelight

    July 18, 2005 at 9:40 am in reply to: FCP vs. Premiere Pro

    PPro and FCP are in the same league, both products have advantages and weaknesses.

    We have both.

    ppro is integrated with photoshop, audition, encore, after FX and is used more as the macs are fading out here (we use many software packages and sadly most of them aren

  • Bluelight

    July 18, 2005 at 9:27 am in reply to: HD Field Production

    [Michael Brennan] “Focus will be your big issue.”

    i have to agree – hd focus (especially with long angles) is 35mm level work. especially those fast moving animals which tend to change directions are pretty hard to keep focussed.

    [Michael Brennan] “730 has only one filter wheel which is a bit of a drawback for the sunny climates.”

    big drawback also for depth of field – its enjoyable to have two ND filters in front and behind the optics.

    [Michael Brennan] “Best thing is to learn as you go by replaying on at least 14inch crt or 1920X1080 LCD.
    Do as much testing/shooting before you go if you can’t get this kit on location.”

    100% agreed.

    [Michael Brennan] “I’d value a 700a at about US$17-22k. This could drop to $12k within 18 months.”

    and a warning – there are still 1035line 700s around – we almost bought one (very cheap, 14K) and found out last minute that it was a 1035 model.

  • Bluelight

    July 17, 2005 at 8:08 pm in reply to: HD Field Production

    [Artimus] “If going to do wildlife shows on HD CAM at game parks for about 4 to 5 days– probably using the Sony HDW 700A or 730– does one have to take a vector scope and waveform monitor along?”

    No need for vector/wave if you a) have a decent postproductiond and b) avoid pure white and black (knee and blackgamma are the settings in the 730s you want to use for this).

    [Artimus] “Or will just a good field monitor do?”

    Even better – the colorviewfinder HDVFC 30 is the part no. i think but i am not sure if its working on the 730s.

    [Artimus] “If you feel one has to take them along– would you explain why?”

    a) shooting with several cameras – alignement.
    b) live broadcast
    c) colorcorrection on set (which isn

  • Bluelight

    July 14, 2005 at 2:41 pm in reply to: DVCPRO-HD – Firewire or HDSDI?

    [Simon Chan] “Which is better to use Firefire or HDSDI for capturing to DVCPRO-HD.”

    are you sure you don

  • Bluelight

    July 9, 2005 at 4:33 am in reply to: Noisy camera

    [Ty Ford] “I was on a studio shoot the last two days and was pretty amazed at how loud the whine was from the Sony HD camera.”

    The old 900 cameras can be quite noisy. The newer 750 is completly silent – was one of the reasons why we didn

  • Bluelight

    April 15, 2005 at 10:49 pm in reply to: NTSC to PAL

    o wonder what kind of vodoo happens to the images when transferred…. cant be rocket science aslong thez arent using motion analysis on a larger scale.

  • Bluelight

    April 9, 2005 at 7:28 pm in reply to: Blackmagic vs Photo-Jpeg vs Animation

    the basic underlying problem ist the colorspace conversion. rgb any uv aren

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