Blase Theodore
Forum Replies Created
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So here is the trailer for the film I did using this effect.
It was done completely in resolve on RED footage. (gate weave, gate matte, dust, scratches flicker, etc..) No AE needed.
I did it this way because it would have taken forever to tweak and render an entire film in AE with these effects.Thanks again Dan for the idea.
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No. The gate weave is a PTZR node paste I store in the library. It’s a conceptual variation of Dan’s camera shake idea. I have an explanation and source files posted a couple weeks ago. Search for my “gate weave” thread. The flicker, dust, etc, were each a video plate loaded in as matte clips, but then added in loop track mode. (Feed the picture stream, not the alpha stream.) I’ll post a screen shot to better explain.
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Jut Sent you link, thanks!
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I came up with a variation of Dan’s technique, so you can apply gate weave / camera shake at any time from your PowerGrade Stillstore.
https://www.contactpost.tv/files/gate_weave.zip
1. Import the .drx file above to your powergrade still store.
2. Switch to PZTR only mode, to avoid pasting over your grades.
3. The grade must be first be applied to a clip that starts at exactly 01:00:00:00. (typically just the first clip in the timeline.) If there isn’t anything at 01hr, just throw down a black slug or something.
4. Once you’ve applied the powergrade to the first clip, you can paste from the first clip to any clip. Just go to that clip, and middle mouse button the first clip.Notes:
1. I generated 1 min of shake. The pasted data is always the full minute, and is never truncated by pasting it to a shorter clip.
2. By default its set to a pretty intense weave. You will want to tweak it before you start pasting. To tweak, just scale back the “strong” value (under stabilizer box), and then hit stabilize.
3. If you needed to create your own versions, I’ve included the AEP I used to generate the weave. Just render out as much as you need, and watch Dan’s tutorial to see what I did to get the Powergrade. -
Hi Dan,
Just realized I can use this technique for sky replacements as well. Thanks again!
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Nice Juan!
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Wow, thanks Dan!
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Just curious, did you have the render fields option checked at render?
If it renders the 2997 interlaced, it might also do the same the 2398. At which point you’d just re-render a second pass of the 2398 footage without that checked?
Just a guess. More likely a bug.
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check that FCP didn’t add any “reverse fields” filters or anything?
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+ 1 to this.
Obviously in no way a dealbreaker, but would love to see it adjusted if it was easy to do.