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cool project I worked on..
70’s film look & 20’s film look each with their own:
– dust and scratches
– film grains
– telecine flicker
– gate weave
– gate matteAll done completely inside of resolve. Rather efficiently too, once you know how to do it.
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4 Replies
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I’d love to know how you did the gate weave & flicker.
Did you create them by hand with keyframing?
Joseph Mastantuono
http://www.goodpost.net
Color Grading & Post Production Consulting -
No. The gate weave is a PTZR node paste I store in the library. It’s a conceptual variation of Dan’s camera shake idea. I have an explanation and source files posted a couple weeks ago. Search for my “gate weave” thread. The flicker, dust, etc, were each a video plate loaded in as matte clips, but then added in loop track mode. (Feed the picture stream, not the alpha stream.) I’ll post a screen shot to better explain.
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Oh, ok, now that you mention that the flicker’s a matte clip I can figure that part out, it makes sense.
Cool. I love it when a piece of software is so deep that you’re still learning tricks years into adopting it.
Joseph Mastantuono
http://www.goodpost.net
Color Grading & Post Production Consulting -
Or, BM could enable the OFX support and then all you’d have to do is to use Damage plugin, which is a part of Sapphire suite. Much better control and it takes no virtual gymnastics to achieve this very simple effect.
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