[Blake Porter]

Thank you Mr. Kramer. I will try that.
Blake

[Blake Porter]

Thank you both!
Blake

[Blake Porter]

No I don’t. … but I could make one in Lightwave for you.

[Blake Porter]

Thanks. Appreciate it.

[Blake Porter]

Yes I need influence, but I’m tired of tutorials. I need to somehow, feel the action. Drink with a genious. A quantum leap. Fluidity. To study with a master… I don’t know. Confidence?
Appreciate all of your ideas! That’s for sure.

[Blake Porter]

I’ve read your post very carefully. Thank you for your insight.
I guess I’m looking for away to break-out. I know it’s in me and I’m trying to cut it loose. I feel like I’ve hit a wall, I don’t know.. it’s hard to put into words. I’m reaching out for inspiration, a new way for me to look at old things

[Blake Porter]

Thanks.
What I’m in search of is the creative process, not nessisarily the techinical aspects.
I guess it’s the indescribable, Or possibly some technique anyone has on AE “approach”.
Inigomyeggo has touched upon it. I would love to know how talented Motion Graphics people approach the creative process to any AE project.
How to fill the blank slate?

[Blake Porter]

At $495, Automatic Duck is not an easy buy… Any other ways to import FCP timelines in to After Effects?

[Blake Porter]

Really? Wow. Have you tried this yet? Any problems?

[Blake Porter]

Thanks guys!
Blake