Final question on this subject:
If I export a full-res mixdown from FCP, bring it into Media Composer, and transcode the Pro Res footage into Avid MXF footage, obviously there will no longer be any sort of record of where the cuts exist.
To save my colorist the time of having to go through the 90-minute file and manually make cuts before grading the shots, is there a way to export a document from FCP that Avid will be able to interpret that will relay where the cuts need to be in the new Avid MXF footage?