What I don’t understand is how could footage from a tape source be imported, not captured. Unless something went very wrong in the capture process and no one is willing to own up to it. The bins are named by tape number (at least there is that), but each project was called “capture” and so I have been re-organizing.
Its a lot of footage to recapture and slows down our edit schedule by two weeks, so I have decided to back these drives up and hope I don’t have to go back to the original sources. Not ideal, but the time and expense of a redo is hard to justify. Even if done offsite, all the work I am doing now would not translate to the new capture. Can you think of any downsides within FCP (other than being unable to match back to the source tapes) by working with what I have?