[Austin Killey]

Thank you! And thank you Pierre as well. You’ve been so incredibly helpful and it means a lot. The results look fantastic, EXACTLY what I was hoping to achieve with the plug-ins. Thank you again!

[Austin Killey]

Thank you! And thank you Pierre as well. You’ve been so incredibly helpful and it means a lot. The results look fantastic, EXACTLY what I was hoping to achieve with the plug-ins. Thank you again!

[Austin Killey]

Thank you Pierre, I wasn’t entirely sure about it, other than simply remembering about lower field with NTSC.

Pete, when you say artifacts, do you mean the footage looking like it’s interlaced again? Because here’s the result I get after rendering (also used Motion Blur Pro):

https://files.filefront.com/firstpersonwmv/;13146977;/fileinfo.html

[Austin Killey]

Thank you Pierre, I wasn’t entirely sure about it, other than simply remembering about lower field with NTSC.

Pete, when you say artifacts, do you mean the footage looking like it’s interlaced again? Because here’s the result I get after rendering (also used Motion Blur Pro):

https://files.filefront.com/firstpersonwmv/;13146977;/fileinfo.html

[Austin Killey]

Awesome thank you! And quick question: when creating the pulldown in the render settings, it will only allow me to do it if I select a Field Render option, with either Upper or Lower. Does either option make a difference at that point since I already have progressive footage?

[Austin Killey]

Awesome thank you! And quick question: when creating the pulldown in the render settings, it will only allow me to do it if I select a Field Render option, with either Upper or Lower. Does either option make a difference at that point since I already have progressive footage?

[Austin Killey]

Thanks guys for your awesome knowledge and tips. I know understand the shutter scenario, but here’s my problem:

All my footage is completely digital and does not come from a camera, it comes from After Effects particle work itself and footage of video game scenes. Will it still be possible to achieve the effect with that Posterize Time trick? Or is there a better way?

[Austin Killey]

It seems like particle effects from Trapcode Particular. Otherwise it could be pre-matted smoke effects, like the ones Andrew Kramer uses in his Riot Gear package. Otherwise if you’re looking at the swipes that the band members make when moving around, that too is Trapcode Particular at play. Andrew Kramer again is the man with this one, teaching you how to achieve that effect:

https://www.videocopilot.net/tutorials.html?id=34