Armagnax
Forum Replies Created
-
I played with it at the apple store and was really unimpressed. the squeezing was ok not accidental, but the scroll ball is too small and a bit annoying to use…
meh…
-
Using FCP & FT is nice and very powerful (what we’ve got at the office now), but there’s a steep learning curve, and going back and forth to FCP isn’t perfect yet. So unless you’re going to be a full time or at least a part time colorist, I’d stick with AE&Colorfinesse.
-
You haven’t seen a Teranex (Proper spelling found) transfer. Projected at a festival digibeat or any SD format you *WILL* pixelization. And most festivals don’t accept anamorphic digibetas.
Teranex’s use Adaptive scalers, and do it in real time, and (I’m sure there’s cheaper software solutions out there, like Algolith I hear). But if you’re projecting, at a festival, it’s a necessity. Even an Upres from the Kona card is preferable to projecting SD.
-
I’ve seen a bunch of HD uprezed with the Tyrenex (sp?) and it looks amazing. But that aside before all that I need to get everything into my 4:3 letterboxed timeline, and get all the motion to look right.
The workflow to HD I’ve got figured out, have done it before, and it has looked surprisingly good.
It’s the Pal 25i -> NTSC 23.98p and even the NTSC 29.97i -> 23.98p that I’m trying to figure out at the moment.
-Joseph Mastantuono
-
Nattress’ filters rock.
They’re the best bang for your buck, and I highly reccomend them. The Gamma settings that com with the filters combined with a 3-way color correct will work wonders for 24p footage, and the film effects are great too!
-Joseph Mastantuono
-
We use SDI for audio all the time. It’s great. no messing with levels necessary what comes out goes in. The advantage of Digital.