Andy Morin
Forum Replies Created
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Sorry, I’m a bit unfamiliar with this type of information. Here’s my process:
Imported into FCP with DV-NTSC 48kHz
Sequence settings with Apple ProRes 422
exported video compression:H.264
encoding code:multi-passThen exported as a .mov
what do you think?
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These are .mov straight from FCP quicktime conversion….
I asked her what media player they used. She hasn’t gotten back. Is there a universal codec that I could do with Compressor? -
Also, Instead of using the NeatVideo, couldn’t i just adjust the luminance and Chroma fields?
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a href=’https://i1.creativecow.net/u/149018/neatvideoplugin.jpg’>
that’s a nice piece. This thing was a total wreck. Looks a lot better now. Thanks for the help guys.
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Here’s the new image. It’s still in the darks, but i think it might be beyond editing
thanks!
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Sorry David, I took a break and went to go see “The Wolfman”, regretfully.
Here’s the Jpeg. This is a totally different beast from what we were going over earlier today, I’ll show the new image from turning down the blacks.
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You sir, are a saint! Thank you so much, I knew It had to be possible, I was totally unaware of the setting option through the Sequence tab.
Thanks again,Andy
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and this probably doesnt make a difference, but to be clear i was referring to the “viewer” on my laptop, in fcp pro aside from the canvas. Not the camera
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It seems misleading when the viewer can produce a clearer version. Like I should be able to take that exact image i see somehow without losing quality.
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Here’s the settings:
Sequence Preset:DV NTSC 48 KHz
Video Playback:Apple Firewire NTSC (720 x 480)
Shot in 60i and 16:9the 60i would explain the pixelation, but the difference is that it’s coming in clear on the viewer…