The thing is, by having the “preserve RGB” checkbox checked, am i still working over the raw data? It’s the only way tha footage looks exactly the same like in red cine.
And thanks for the link, that video actually showed me the real power of working over the raw footage, however i found the “more options” window to be a little limited, because it works like an outside application of AE, i mean, i can’t for example do a mask in certain part of the shot and work the color temperature only there, do you know what i mean?
Thanks for the help 🙂
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