Andrew Kramer
Forum Replies Created
-
Just copy the VOB file onto your hard drive import as an asset, add a menu and re-author. It will use the original settings from the vob and restring everthing as if it were the originally encoded files.
Good luck
ANdrew -
This is the best topic description I have ever read. EVER.
Do a search for creating glass buttons in photoshop. Then apply these methods to a web format and you may be on to something. then you’ll need a fancy space picture.
Good Luck.
Andrew -
how did your convert it what format what converter?
-
What is the cause of your crawl. Bad compression, Artifacting, chrom keying.
Grain?
-
Is the PAL interlaced footage?
Working in pal 50i you will need to deinterlace anyway, enless you want to keep it interaced which will be your biggest video giveaway.
Now depending on your output format ntsc or pal. you will need to convert accordingly if pal is fine then there is no need to convert to 24p, but deinterlacing, or by some mean eliminating the extra fields, your overall look will improve.
Andrew
-
Well,
You might be better off editing 25 fps then when your all finished, slow down to 24p and then distibute.You should have no problem editing pal in premiere or working in AE.
Andrew
-
Change the paint style to “on transparent”
Andrew
-
always a work-around. then a work around for the work around. go figure.
Andrew
-
Yeah, I don’t think you can do this but you can always add an instance of the effect at it’s default state and select the parameter you want to revert (the name that is) then copy and paste to the working version of your plugin. Some plugin have parameters all controlled by one keyframe stopwatch which can be trouble but this sould work for particular since all the parameters are pretty much keyframable.
however the state of your working parameter must not be keyframed or it will only paste the default state to that keyframe.
Good Luck,
Andrew -
Try using another color sampling tool like the text paragraph tool to sample the green color then open the swatch picker and copy the color value and paste it into the swatch of keylight and does that get the right color.
Perhaps you could export a frame and open in photoshop then sample the color and paste the value as described above if needed.
This is a weird problem that may have to do with color profiles specific to your format, which i’m not totally familiar with so…
Let me know what happens. curious.
Andrew