Andrew Kimery
Forum Replies Created
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[Ricardo Marty] “All cc systens are compromised.”
No they are not. Only Windows systems running QT are potentially compromised (the vulnerabilities were found in a lab, not in the wild). If you are using on a Mac you don’t have to worry because Apple only left the Windows users out to dry. Using/not using CC has nothing to do with this.
[Ricardo Marty] ” adobe hasnt offered a clue.”
Have any other companies that make video software offered a clue? From what I’ve read Avid is in a worse bind than Adobe. I’m not sure how dependent Resolve, Lightworks, etc., are on QT. But is it really their responsibility to offer a clue when it comes to patching another company’s software?
[Ricardo Marty] ” Of course not being on the internet could mitigate posible damage but the creative cloud is internet”
CC only has to phone home once every 99 days so I’d say putting the machine on the Interent for a few seconds every three months is pretty low risk.
If anything this situation underscores Walter Soyka’s point, which he has brought up many times, that the industry needs to adopt open standards because you never know when the owner of the proprietary tech is going to disappear or just decide to pick up their ball and go home.
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Have you looked at Aspera? It’s more enterprise level so it might have the same problem as Signiant.
If you’re file sizes were smaller then WeTransfer would be an option (limit is 20gig)
Have you looked at HighTail (formerly YouSendIt)? Their “Pro” level says there are no file size limits.
https://www.hightail.com/pricing
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I’ve only been window shopping…
[David Mathis] “Was hoping for some update to Final Cut but that did not happen.”
Bill said you had to sign an NDA to get into the offsite FCPX event at NAB so that probably means they are going to announce something soon.
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[Robert Olhsson] “The hype is because computer sales are in the toilet and silly-con-man valley desperately needs some way to make people’s computers obsolete so they can sell people more powerful replacements.”
That’s basically the business model around every product ever made. 😉
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And Promax released a panel at NAB.
https://promax.com/workflows/online-editing/
2016 is turning into the year of the panel for PPro.
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[David Lawrence] ”
Yes, great idea! Tim?”I think creating a new forum is a virtual lock if Tim thinks its time as come around.
I’ll show myself out now. 😉
-Andrew
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[Drew Angle] ”
I apologize for the excessive set up! But my thought was that if someone reads it and sees something that could be a problem down the line you could save me! “Have you tried using the built in sync function in PPro? Just select your cameras and audio in the Project window, right click, Create Multi-Camera Source Sequence. PPro will sync everything and put it all in a multi-cam sequence for you.
Here is a recent thread talking about some of the audio options PPro gives you when making a multi-cam sequence and the differences between them.
https://forums.creativecow.net/thread/3/975940#976003
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I do a lot of doc/unscripted work and would love to automate the transcription process. Just call me a healthy skeptic. 😉
And I signed up for the mailing list so maybe I’ll get a copy of the Beta and be pleasently surprised sooner rather than later…?
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[Craig Seeman] “Would love to believe this could actually be accurate.”
I know it’s still in beta but when the press release says “surprisingly accurate” that doesn’t really fill me with confidence. 😉
I hope they knock it out of the park though because an automated transcription program that’s accurate would be pretty awesome.
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I assume this is due in part to the fact that many of the discussions about ‘the industry’ default to the more visible part of the industry (Hollywood feature films, Network TV shows, etc.,) and that is a very Mac-centric slice of the pie. Even when I was still in the Midwest (granted that was years ago) the post facilities and TV stations I worked at and/or visited were all Mac-centric.