Forum Replies Created

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  • I just tried it again and it updated correctly. I must have made something wrong when I tested earlier. Thanks for the reply Dan, this is a great forum!

  • I do use the color management features to work in linear light. But when my compositing is done, I want to work in normal video space to do my color correction and so on. From what I understand my only option is to use the color profile converter. Am I mistaken? Still haven’t been able to solve this.

  • Anders Carlsson

    March 18, 2010 at 8:58 pm in reply to: Timecode and conforming issues

    Yeah, after the offline, I want to export the high-res plate to AE and do the compositing. After that I want to export it from AE and online it in a separate application. If it’s only a few effects shot it’s easy to do this by hand, but say you have 200 effects shot in an hour long tv-serie, it would be a lot faster to online using an EDL instead of having to place the clips accordingly in the timeline by hand. Or am I thinking this wrong?

  • Anders Carlsson

    March 17, 2010 at 8:57 am in reply to: Timecode and conforming issues

    I don’t want to do my edit in AE, I want to conform high-res original files (4K) to low-res for editing (720p Apple Prores). I want to do the edit in Final Cut. But after the cut is final, I want to replace the low-res files to the original high-res files in a third application, Flame or Filmmaster for example. For that I would think it is easiest using an EDL or XML. It’s not gonna work to sync up by hand for a longer projects. Ideas?

  • Anders Carlsson

    March 16, 2010 at 2:48 pm in reply to: Replace comp – or something simular

    Yes that is an option, but then I manually have to replace the comp and make sure the new one gets the same properties, (masks, effects) as the temp one.

  • Anders Carlsson

    March 16, 2010 at 2:45 pm in reply to: Timecode and conforming issues

    Thank you for your reply.

    The problem isn’t to make the proxy, the problem is that I wan’t to take the cut (from Final Cut) into another program (Film-master) in the end and line them up accordingly.

  • Anders Carlsson

    January 4, 2010 at 5:14 pm in reply to: What bit-depth are my exports?

    Thank you for your help Todd 🙂

  • Anders Carlsson

    January 3, 2010 at 11:24 pm in reply to: What bit-depth are my exports?

    Does that make;

    – Millions of colors = 8-bit
    – Trillions of colors = 16-bit
    – Floating Point = 32-bit

    If so, does that mean when I choose the cineon format I can only export 16-bit DPX – since I only have trillions of colors as an option.

  • Anders Carlsson

    October 22, 2009 at 4:31 pm in reply to: Big problems – PAR and scaling down HD

    Thanks for your reply.

    My source is 1080p. I have tried with every field order, same problem.

  • Anders Carlsson

    October 22, 2009 at 1:41 pm in reply to: Big problems – PAR and scaling down HD

    Hi Roland,

    I have tried rendering a file and it looks bad in QT player and FCP. So AE is not just affecting the preview. Any other idéas? Really having problems with this.

    /Anders

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