Alex Udell
1
Premiere Pro Coin
Forum Replies Created
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Hi…
even if the whole clip is highlighted….
how about using lift default key -> ;
as opposed to delete?
that really should limit it to in/out no matter what…
Alex Udell
Editing, Motion Graphics, and Visual FX
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when you paste attributes…
make sure you deselect “Scale attributes time”
Alex Udell
Editing, Motion Graphics, and Visual FX
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Examples: Retail Automotive Motion Graphics Spots
Example: Customer Facing Explainer Video
Example: Infotainment & Package editorial -
Not sure you can….but that’s a great Idea!!!!
Alex Udell
Editing, Motion Graphics, and Visual FX
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Examples: Retail Automotive Motion Graphics Spots
Example: Customer Facing Explainer Video
Example: Infotainment & Package editorial -
[John Pale] “For some reason changing the Source Range to “Clip In/Out” will not apply to all clips if you simply do a Command/Control-A, or select everything. I think this is a bug, because other settings do apply to all items.”
Yeah….this is the reason I didn’t suggest this…
Alex Udell
Editing, Motion Graphics, and Visual FX
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Examples: Retail Automotive Motion Graphics Spots
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set up 3 sec blur you like on the first clip.
then copy that clip
select others…
“paste attributes”
and choose the attributes you want to paste from the copied clip
Alex Udell
Editing, Motion Graphics, and Visual FX
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Examples: Retail Automotive Motion Graphics Spots
Example: Customer Facing Explainer Video
Example: Infotainment & Package editorial -
ok…
so you have sequential clips:
CLIP 1, CLIP 2, CLIP 3
on each clip you want 3 sec blur?
Alex Udell
Editing, Motion Graphics, and Visual FX
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Examples: Retail Automotive Motion Graphics Spots
Example: Customer Facing Explainer Video
Example: Infotainment & Package editorial -
Add adjustment layer above all clips in sequence….
Add blur to adjustment layer….blur is controlled here.
you don’t need blur on layers beneath it.
Alex Udell
Editing, Motion Graphics, and Visual FX
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Examples: Retail Automotive Motion Graphics Spots
Example: Customer Facing Explainer Video
Example: Infotainment & Package editorial -
Sure you can….
that’s why I suggested you duplicate the clip in the project panel to make the 1/2 fps instances from….
if you drop 60 fps in a 30 fps timeline….PPro mecury will still play it at 100% speed of the timeline…(it will play normally)…
In the duplicated project media for slow mo (again duplicating and interpreting media in the proj panel, not files on the HD)….if you start with the 1/2 speed interpreted clips…you can still slow it down or speed it up in sequence as well…but since you’re already at 50%…. it’s wouldn’t be setting that to 40% it be more like 80%…because as far as the sequence is concerned, those interpreted clips are playing at 100% speed….see what I’m saying?
Alex Udell
Editing, Motion Graphics, and Visual FX
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Examples: Retail Automotive Motion Graphics Spots
Example: Customer Facing Explainer Video
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This is something to think about….
thanks to mercury…dropping at 60fps clip into a 30fps sequence doesn’t make the difference you’d expect as mercury will interpret the clip and still play it at 100% speed of sequence. Thus, slowing down the clip at the point you are subject to all the choppiness that would entail….
try this…
take 60 fps clip in the project panel and duplicate it (rename uniquely so you know what’s what).
Modify > interpret FPS to be 1/2 the speed.Now drop that into a 30 FPS sequence
now you are seeing the true nature and difference of 60 frames captured…not “counteracted” by the smart tech of the Mercury engine.
for there you can do some time retiming and have the extra fidelity to work with….
that help?
Alex Udell
Editing, Motion Graphics, and Visual FX
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Examples: Retail Automotive Motion Graphics Spots
Example: Customer Facing Explainer Video
Example: Infotainment & Package editorial -
Is a low res proxy to a sync’d storage location (say adobe creative cloud or drop box) out of the question?
then you can edit…. at home…(depending on the proxies your home machine could be much less powerful machine)
and still potentially just log into the office system to switch to hi -res and export?
you utilize team viewer to do non synchronous stuff on the office machine (final titles, some color, etc)…
which would e easily be doable via team viewer, etc…
you could set it up as a “team project” even though you’re the only team member working on it. This would help account for media pathing at each location.
don’t forget that with CC, you get two machine access with each subscription…so with one CC you’d have enough license to cover both your home and office machine at the same time….
?
Alex Udell
Editing, Motion Graphics, and Visual FX
Let’s Connect on Linkedin
Examples: Retail Automotive Motion Graphics Spots
Example: Customer Facing Explainer Video
Example: Infotainment & Package editorial