Alexandre Brandt
Forum Replies Created
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Hey Walter, I read your post and this will be real helpful for the next projects to come…I lost so much time with freaking media cache files coping. Is there a way to copy the media cache database (which is located somewhere else since I started) to where the original media is ? Or maybe its an overnight operation, I select the option in preferences you said, I delete all the media cache in all folders and then quit the project and re open and it should create new media cache ?
motion pictures + storytelling = ?
-> FILMMAKING !Producer | Filmmaker
http://www.alexandrebrandt.com -
Ahh ok.
motion pictures + storytelling = ?
-> FILMMAKING !Producer | Filmmaker
http://www.alexandrebrandt.com -
Hello,
I tried. It fails because when importing the XML I get message saying (more or less) that it cannot recognize the sequence preset and footage format.
motion pictures + storytelling = ?
-> FILMMAKING !Producer | Filmmaker
http://www.alexandrebrandt.com -
Hello Kevin,
Thank you for your reply.
Yes I have auto saved projects.
I had my issue since a while now and the auto saved projects will be in the same conditions.
When I noticed my issue, I was able to continue working on CC and had to move forward with my edit but its now that I’m getting stuck.Thanks
motion pictures + storytelling = ?
-> FILMMAKING !Producer | Filmmaker
http://www.alexandrebrandt.com -
Ok Great.
One more question. If I plan to export Apple Pro Res 4444 or Animation to do color correction with, should I then apply Fast Color and bring down my ‘burnt’ highlights to 1.0 max (the RGB limit as discussed) before exporting my shots ?
Thanks !
motion pictures + storytelling = ?
-> FILMMAKING ! -
Thanks Walter.
Yes in Ae I set my projects to be 32 pbc actually.
I’ve been working a lot with ProRes 422 and 444, Animation and HDV. But maybe I’ll have an opportunity to use some DPX on this current project. Ruffly how much GB for 10 min at best quality in 1920×1080 25p is it ?I have a question that goes back to the Warp stabilizer, RBG effect processing etc.
I have some shots that already have Warp Stabilizer on them. As you told me I got to apply ProcAmp or Fast Color before Warp Stabilizer to bring down the highlights. Is there a way to take the Stabilizer effect off but keep the settings, then apply Fast Color and then bring back Stabilizer in a way it does not need to calculate again the image ? It would be really great because I’m on a MacBookPro from 2008 so…Thanks!
motion pictures + storytelling = ?
-> FILMMAKING ! -
Ok.
What codec accessible to export at in AE and Premier supports 10bit ?Thanks !
motion pictures + storytelling = ?
-> FILMMAKING ! -
Thank you Walter.
I have a few question then that comes to me after reading your post.First, where do I find in Premiere Pro what my footage is (RGB or YUV) ?
Second, if I edit and then export my shots in Annimation format will it convert to RGB, will it keep YUV ?
Third: I have some footage that I will bring to a colorist for color correction/grading. In some shots I will in deed need to try to recuperate some details the highlights. Now, my workflow was going to be apply my Warp Stabilizer in Premier Pro before doing color correction. But now that I read your post, I have a feeling that the color correction (especially to go get info in the highlights needs to be done before I put Warp Stabilizer which is an RGB effect is that correct ?
Thanks for your assistance !
motion pictures + storytelling = ?
-> FILMMAKING ! -
I see. I guess I have to make test to see if the Stabilizer VFX from Ae does a better job.
What are the advantages in working in YUV ?Thanks!
motion pictures + storytelling = ?
-> FILMMAKING ! -
Hello Daniel,
Thanks for the reply.
In fact I have a sound designer who will fine mix my tracks.
I will bring him a OMF and we will go from there. But its for now when I’m working on the edit.motion pictures + storytelling = ?
-> FILMMAKING !