>WHY do you need to work at 24.0 ?
When the company that is doing effects work / final conform in 24fps, and insists that you give them a 24fps edl…
Simply converting a 30 fps edl just sort of works, but when every shot has a wacky speed change (and there is no burn in on the transfered footage) you’re kind of SOL. Of course the speed changes should have been done in the transfer (which this effects company supervised by the way… [can you guess my opinion of them?].