Forum Replies Created

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  • Alan Okey

    November 17, 2011 at 6:31 pm in reply to: Quick Poll. So what’s your decision?

    I am still using FCP7 and will continue to use it as long as it remains viable. I am not interested in FCP X. I purchased Avid MC 5.5 via the crossgrade promotion and will upgrade to v6 soon. I will eventually transition to using Avid MC for all future projects. MC will allow me to easily transition to Windows-based PC hardware if Apple should discontinue its pro hardware.

  • Alan Okey

    November 8, 2011 at 4:10 pm in reply to: OT but part of the debate I think

    The “golden rules” list at the end is priceless.

    I am also annoyed at how a shallow depth of field in EVERY SHOT is now considered the latest badge of cinematic street cred in amateur circles. When was the last time you saw a major feature that had nothing but shot after shot with a shallow depth of field? Does that mean Citizen Kane isn’t truly “cinematic” because it has shots with extremely deep depth of field?

  • Alan Okey

    November 1, 2011 at 9:12 pm in reply to: Making 29.97 EX3 footage look like 23.98 EX3 Footage

    Is the footage 30p, or interlaced?

  • Alan Okey

    October 31, 2011 at 7:48 pm in reply to: OT: Apple to drop Mac Pro?

    The irony is that for years, Apple sold software that could not take full advantage of its hardware. If this rumor comes to pass, Apple will now lack the hardware to take full advantage of its software.

  • Alan Okey

    October 28, 2011 at 10:21 pm in reply to: What is best settings for export to web?

    Does your video contain inteaced or progressive footage?

  • Alan Okey

    October 28, 2011 at 7:30 pm in reply to: FCP X Transition and Keyframes
  • Alan Okey

    October 26, 2011 at 5:12 pm in reply to: Basic HD Question

    DCVPRO HD is not a full-raster HD format. It squeezes the image and records a 4:3 960×720 image with anamorphic pixels for 720p (or 1280×1080 for 1080i/p), then stretches the image back out to a 16:9 ratio on playback. This is done to reduce the bandwidth necessary to record the signal.

    Other formats such as XDCAM EX or AVC-Intra record a full-raster 1280×720 or 1920×1080 square pixel image.

  • Alan Okey

    October 26, 2011 at 3:24 pm in reply to: 24p and 180 degree shutter

    [Bob Cole] “I assume that another benefit of shooting 24p as opposed to a higher framerate is that you can achieve a higher picture quality for a given data rate, if you have fewer frames to produce every second.”

    You are correct. This is also true for DVD workflows. At a given bitrate, a lower frame rate will allow better quality per frame.

  • Alan Okey

    October 25, 2011 at 12:29 pm in reply to: Combining Video and Powerpoint Workflow

    You should investigate Sonic Foundry’s MediaSite product. It is designed to capture and deliver video with PowerPoint presentations in two separate widows via a web browser. Accordent makes a similar product. They can both be used for live streaming or on-demand delivery.

  • Alan Okey

    October 20, 2011 at 9:48 pm in reply to: High resolution screen capture program?

    I used to use Snapz Pro X, but then I switched to Screenflow:

    https://www.telestream.net/screen-flow/

    Camtasia is another an option:

    https://www.techsmith.com/camtasia/?gclid=CJC_-see-KsCFY515QodNlnDKg

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