[Ajay Bhadresa]

Hi Michael,

Thanks for your reply, that sounds quite surprising that the LHe isn’t up to the task! I’ll email AJA support to see if they can shed any light on it. I suppose a good test would be to try and find someone with an AJA Kona 3 to test the theory.

[Ajay Bhadresa]

Hi there,

Sorry I should have been more specific. The project that it is most apparent on is a Varicam project that was shot in 720, 24p but there is a lag in other projects too. I’m using version 6.0.6 of Final Cut Pro and version 6.5.0 of AJA control panel. My Mac is one of the earlier 8 core Mac Pros (which has 667mhz memory). My LHe is in the 4th slot and is configured to run at 4x in the slot utility. I’m feeding my client monitor via SDI and then monitoring the sound via a mixer from the XLR out of the Kona (the audio disembedding feature on the FSI monitor I have seems to result in poor quality sound)

Normally I capture / work from a 1.5TB internal Sata RAID but for the Varicam project I’m working on an external drive via FW800. However, I’m still getting the audio drift on another project that’s on the internal SATA drives which is a DV PAL project.

I hope that helps!

[Ajay Bhadresa]

Hi again,

Ok forgive my ignorance. It turns out the 60fps has been converted into 24p using the FRC option in FCP. So, I’m able to view the normal speed footage on both the Canvas and my monitor but when I’m trying to view the slo motion footage I just get a still on my monitor. Any idea why?

[Ajay Bhadresa]

Hi Jeremy,

Thanks for your response, maybe I was being a bit unclear in my original post. My test file dispays fine when I first select it. After having worked in AE or FCP (or whatever other util) when I return to my desktop (all Kona apps closed) that’s when the corruption in the test image occurs.