Aindreas Gallagher
Forum Replies Created
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[Kevin Monahan] “We are testing projects in house with tens of thousands of clips. It’s looking very good for large, complex projects. Thanks for your concern.”
seeing as how all of us are starting to bow to you – why be mean about the win?
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at the limit of my manure – the place where I am for a bit – hard to describe the inertia with avid. Some editors are amazing, some are not. It is a lottery assigned under a closed avid system. Ultimately avid is an odd system that produces odd situations – it’s a head of cabbage or something.
I get that the best people on earth edit with avid but –
It’s utterly weird and defensive software that brews weird and defensive editors.
let’s highlight the keyframe icon in the programme monitor in order to alter its attributes after I hold my toe.
let’s alt drag right to left of left to right to select my leonardo da vinci trim god modeeveryone knows this right? No. Avid is guild software. It wants to be secret and stupid. No one else wants or needs that to happen.
https://vimeo.com/user1590967/videos http://www.ogallchoir.net promo producer/editor.grading/motion graphics
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ha! I’m only just after editing my post for politeness at that.
well -still so the count – the world cup, ITV studios, Fincher, the Coens, CNN, Turner, Disney UK, associated press et al.
death to rental for sure; but nothing, for me, beats the FCP7 design squatters editorial skillbase being held intact.
https://vimeo.com/user1590967/videos http://www.ogallchoir.net promo producer/editor.grading/motion graphics
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[Oliver Peters] “If you, as the editor, make the decision to something else “
could there be an argument that would run to the fact that say – a company like ITV with premiere – if it gets into the large scale global franchise productions they have – like downtown abbey – would provide clear guidance on the valid inclusion of adobe into large scale complex workflows? As opposed to one single really persuasive editor?
ITV’s Coronation Street – Britain’s largest soap, is pretty seriously in bed with adobe to the extent that adobe story underpins the entire production workflow. ITV pretty much got to tailor story development to their requirements. they use it on other productions as well. They’re on adobe.tv and they sound happy.
story is piped directly into premiere ala their script sync implementation – it would be nearly a surprise if ITV don’t start deploying that.
**edit:
the argument being: wouldn’t a hollywood studio strategically looking (outside avid possibly) to the future be more likely to look to something on similarly large decision ground – with thousands of employees involved – rather than any given single editor’s preference? or any workflow d.i.t. on the make?
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David Fincher’s gone girl has to have more than a few clips in the edit process mind you.
https://vimeo.com/user1590967/videos http://www.ogallchoir.net promo producer/editor.grading/motion graphics
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Well, reading it, and the various presentations given by production companies shifting to premiere brought on stage to present to ITV’s own avid editors, it’s very hard not to read the ‘Production Modernisation programme’ as the ‘We’re Moving To Premiere’ programme? I take your point on transitions to NLE of choice, but really, it boils down to whether you stick with avid, or shift to premiere. Those are pretty much the available options. Everyone who was 7 – like BBC worldwide – is going premiere.
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[Darren Roark] “Before it was private investor and grant funding, now people can vote with their wallets. “
https://dobraszczyk.files.wordpress.com/2012/07/1.jpg
same old same old mind you.
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hey totally – I was mad for flint particles in the day, those things were incredible as realtime. Squirting a rainbow through and hitting them with force objects and stuff.
and I did go fairly mad for 3DS max until I realised I should have learnt cinema 4D and I basically went off in a huff. annnd that was around ten years ago.
https://vimeo.com/user1590967/videos http://www.ogallchoir.net promo producer/editor.grading/motion graphics
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editor mate and team successfully raised a decent sum for an unusual doco on kickstarter:
https://www.kickstarter.com/projects/795622630/were-going-back-to-the-arctic-to-edit-even-that-vo
it can be good to land people willing to get involved – also having a really broad social media presence and a ton of potential people allied with your goal – say ecology – does no harm? As said above – a highly identifiable audience for the pitch is the thing.
also a barmily evocative pitch video does no harm.
https://vimeo.com/user1590967/videos http://www.ogallchoir.net promo producer/editor.grading/motion graphics
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[Shawn Miller] “You need a supported 3D application to run it.”
you had me excited until I read that.
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